A Quote by Mandy Patinkin

I grew up in Synagogue in the boys' choir. We didn't listen to music in the house; only at temple. Then I went to a mostly African American high school on the South Side of Chicago and joined a gospel choir.
Before 'Music and Lyrics,' I was just doing high school plays and singing in my church choir and my school choir.
My high-school a cappella teacher would embarrass me in front of the choir. 'Mavis, you're in the basement. Mavis, you're singing with the boys.' I said, 'Mr. Finch, my voice isn't soprano. I can't sing up there with the girls.' So I just got out of the choir.
When I got married, I hired a great choir - the St. James Choir, an all-black gospel choir - to sing at my wedding.
When I grew up on the south side of Chicago, it was kind of a rough neighborhood, and when my parents saw the prospect of my older sister going to middle school, high school, they decided that we would move to the north side of Chicago, Highland Park, and for me, that was a whole new ballgame.
When I was 10 I went to the Drakensberg Boys Choir School, which is this idyllic Harry Potter-esque music boarding school in the mountains in South Africa, and that's when everything started to change for me and I realised that music is my thing.
I joined the church choir because there were these two hot chicks. Then people started giving me compliments. 'You really have a good voice.' Really? I just joined the choir for these girls.
I played the trumpet for nine years, and then I joined the choir after that, and then I was in musicals in high school.
I was a choir director for my high school. Of my friends, I was the more rational one, because I was the choir girl!
I went to, you know, a church in Chicago, and my mom, of course, was in the choir because my mom was a singer; she used to sing. I wanted to be in the choir as well, and I was like, 'Mom, please, you know, I want to sing in the choir with you guys.' I kept on asking her, and finally I was, you know, in the choir.
And I've teamed up with a choir from home. They're called the Gori Women's Choir. They're a 23-piece all-female choir, and they've been going since the '70s.
My father's a deacon, my mother's a choir director, so I grew up in the church and singing in the choir, begging my mom if I could have a solo.
In high school, I was Mr. Choir Boy. I had solos, I was helping out the tenors with their parts and our choir teacher would ask me what songs we should do.
I went to this boy's choir school when I was growing up, and I think that the first time that I consciously started making music was when this one kid joined our class. He was an amazing pianist and would come up with all these ideas. I've always had a really competitive side, so I saw him doing that, and was like, "I have to try writing songs as well."
I was a choir boy at school, then when the choir became less cool, I became a kind of rock star in my own world.
I was in choir in school. I kind of just did it. I already knew I wanted to sing. My music program in my school wasn't really great - people didn't really want to be part of the choir, they didn't want to do the plays and stuff like that. It definitely wasn't the cool thing to do.
When the rest of the congregation rose at the entrance of the choir he kept his seat. He argued that rising to one's feet at such a time tended to make the choir-boys conceited.
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