A Quote by Mandy Patinkin
Well, I'm not a critic, I'm just a worker. So, I'm always grateful for anything the critics say - good or bad.
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I don't pay no attention to what critics say about me, the good or the bad. The toughest critic I got is myself...and I'm too vain to play anything I think is bad.
There are good and bad critics like good or bad artists. A good critic says why they didn't like it. A bad critic gives it away that they don't like you as a person. I quite like that as well, because it means that I've won.
You find very few critics who approach their job with a combination of information and enthusiasm and humility that makes for a good critic. But there is nothing wrong with critics as long as people don't pay any attention to them. I mean, nobody wants to put them out of a job and a good critic is not necessarily a dead critic. It's just that people take what a critic says as a fact rather than an opinion, and you have to know whether the opinion of the critic is informed or uninformed, intelligent of stupid -- but most people don't take the trouble.
There have always been a lot of critics of competitive eating. You can be a critic of anything. It's easy to be a critic. You can say negative things about golf, the amount of water wasted on golf courses. Or NASCAR. There are wastes in everything.
The question is grateful to who? You would think grateful to Allah, but Allah didn’t mention Himself. So it could be grateful to Allah, grateful to your parents, grateful to your teachers, grateful for your health, grateful to friends. Grateful to anyone who’s done anything for you. Grateful to your employer for giving you a job. Appreciative. Grateful is not just an act of saying Alhamdulilah. Grateful is an attitude, it’s a lifestyle, it’s a way of thinking. You’re constantly grateful.
In terms of performance, something unexpected is always good, it's preferable if it's unexpectedly good. But unexpectedly bad has a lot to say for it as well. It's always nice to be able to look back on a show and say, "Oh, that's the night that this happened," and a lot of the worst memories are better than the shows with no memories. A good rehearsal is a lot harder to describe. A lot of rehearsals that end up feeling best are the ones where something really bad was happening, and you just kind of got past it and fought through it. Just dealing with things that are inevitable.
I just kind of shoot the finger to the critics. I don't give sh - what a critic says. To me a critic is some loser who has no idea... someone with an opinion. We all have opinions.
From the very beginning, all of my films have divided the critics. Some have thought them wonderful, and others have found very little good to say. But subsequent critical opinion has always resulted in a very remarkable shift to the favorable. In one instance, the same critic who originally rapped the film has several years later put it on an all-time best list. But of course, the lasting and ultimately most important reputation of a film is not based on reviews, but on what, if anything, people say about it over the years, and on how much affection for it they have.
Critics don't bother me because if I do badly, I know I'm bad before they even write it. And if I'm good, I know I'm good. I know best about myself, so a critic doesn't anger me.
I read reviews of critics I respect and feel I can learn something from. Right now there are a lot of bottom-feeder critics who just have access to a computer and don't necessarily have an academic or cinema background that I can detect, so I tend to ignore that and stay with the same top-tier critics that I've come to respect. I like reading a good review - it doesn't have to be favorable, but a well-thought-out one - because I very much appreciate the relationship of directors and critics.
If you beat someone with a good name, of course some people are going to say he's past his prime, he's washed up, or he shouldn't be fighting. You're always going to have critics. It doesn't matter what the outcome is, whether it be good or whether it be bad.
People always say that you shouldn't read reviews at all, or if you do then believe both the good and the bad ones. I just choose to believe the ones that think I'm brilliant. The ones that don't, well, I just don't bother with them.
Music critics are, for the most part, bitter people who are intent at dragging people down for being successful at what they want to do, which is probably music. The oddity of being a critic is: You don't get a diploma, you just decide you're a critic. If someone listens to your opinion rather than their own, it's their mistake. Any critic's top 10, any year, it's something controversial or something that will make them look hipper-than-thou. The whole critic game, we've never played.
Pay no attention to what the critics say;
no statue has ever been erected to a critic.
There's lots of room to be your own worse critic. It's just you, so I think that's inherit, that voice that's always that's there monitoring everything you do. It's definitely worse; the critic is harder when it's just you. If you're doing a show, then the critic can blame the other actors your with.
I don't have any bone to pick with critics. In fact, if I wasn't a filmmaker I would probably be a film critic. Most of my bone is I would be a better film critic than most of the film critics I read.
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