A Quote by Mandy Patinkin
In the hands of good writers, you have the opportunity to present both sides of an opinion equally and that you leave it to the audience to listen and then make up their own minds.
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Right-wing media and politicians are looking for any opportunity to be critical of the reporters who are here. Some reporters make judgments, but that is not my style. I present both sides and report what I see with my own eyes.
It's always a good idea to let the audience make up their own minds.
Two sides to a story exist when evidence exists on both sides of a position. Then, reasonable people may disagree about how to weigh that evidence and what conclusion to form from it. Everyone, of course, is entitled to their own opinion.
If you think there is freedom of the press in the United States, I tell you there is no freedom of the press... They come out with the cheap shot. The press should be ashamed of itself. They should come to both sides of the issue and hear both sides and let the American people make up their minds
I want to stay in the writing long enough to become a falling star of the up-and-coming genre, then a has-been known only by collectors, and finally a rediscovered artist who is finally recognized as a creative giant misunderstood in his own time. Then forgotten again. But if I get removed from the list, it'll probably be because there are just too many damn good writers out there, and any poll of some assortment of editors is going to come up with an equally valid, equally varied list.
When men differ in opinion, both sides ought equally to have the advantage of being heard by the public; when Truth and Error have fair play, the former is always an overmatch for the latter.
When you're working with other artists, it's often a mix of your ideas with somebody else's, which can be extremely fruitful. But then it's also interesting to present the completely undiluted vision of what I imagine music could be. I care about both my own music and collaboration equally, and I pretty much split my time equally, as well.
There are two sides of me, the bachata/tropical Latin side and the English pop as well. They're both equally important, so I'll always make sure to keep both roots in my music.
Gray space is fertile ground for fiction. When I can see both sides of an argument and feel strongly in both directions, then there's a story there, then I can write real characters that I care about and believe in and champion on both sides.
The truth seems to be that propaganda on its own cannot force its way into unwilling minds; neither can it inculcate something wholly new; nor can it keep people persuaded once they have ceased to believe. It penetrates into minds already open, and rather than instill opinion it articulates and justifies opinions already present in the minds of its recipients.
Someone once told me that if you respect a person, listen to their opinion. And if you do not respect someone, then do not listen to their opinion. And that works both ways.
Compromise is usually bad. It should be a last resort. If two departments or divisions have a problem they can't solve and it comes up to you, listen to both sides and then pick one or the other. This places solid accountability on the winner to make it work. Condition your people to avoid compromise.
We have a responsibility to hold both sides accountable to the public interest, but that doesn't mean we reflexively and artificially hold both sides 'equally' accountable when the facts don't warrant that.
The same thing can be both good and bad. Whenever you speak of good, bad is also present. The world is a mixture of both. There is not good without bad. They are both sides of the same coin. Both are necessary. We have been given free will and discriminating capacity to select what is beneficial to us and to avoid what is detrimental to us. Even Cobra poison can be used as medicine.
Everything is a tradeoff. Everywhere you leave, you leave some good things. The more successful you are, the harder it is to make tradeoffs. That's why some people become successful and then become flat. Be willing to give up income for potential, for opportunity.
These are the two sides of Steven Spielberg: the reverent grown-up who knows when to say the right thing and the exuberant kid who loves a good laugh. Both sides are sincere, and both are necessary, for Spielberg knows he can't feel good about himself unless everyone else feels the same way.
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