A Quote by Mandy Patinkin

I think Bill Finn's one of the geniuses of theatre, and James Lapine's one of the diamonds of my generation. The two together are a joy! — © Mandy Patinkin
I think Bill Finn's one of the geniuses of theatre, and James Lapine's one of the diamonds of my generation. The two together are a joy!
That's one of the beauties of James Lapine and Stephen Sondheim and their work together. They have such a depth to the emotional exploration of the story that they're telling, but there's always a release, and the release is a laugh.
I obsessively listened to all of James Lapine's shows as a child growing up in Cleveland and had every cast recording and every VHS tape of 'Into the Woods' and everything that James had done that I could get my hands on.
We just lost Carol Channing, who performed 'Hello, Dolly!' at the St. James Theatre. I played the St. James Theatre as well. To know that you walked the same boards as somebody like that is so extraordinary.
Finn, do you see the lias—whatever, the orange-haired girl?” Razo Gestured ahead. “Do you think she’s pretty?” Finn glanced Dasha’s way, then returned his attention ot his horse. “She’s all right.” “Really? Just all right?” Finn shrugged. Razo rolled his eyes. “What am I saying? He doesn’t think any girl is pretty but Enna.” “Are there any girls but Enna?” Finn called back. “There’d better be.
Are you reading?" I say. It's not that I don't think Finn can read or anything, but it's just - well, not what I expected to see. I figured Finn spent his time doing whatever it is guys who aren't Josh do when they aren't in school. Burping, or something. "Try not to look so surprised," Finn says. "I read. I can count to ten. Sometimes I can even spell my own name.
To my mind, 'Dear Brutus' stands halfway between Shakespeare's 'A Midsummer Night's Dream' and Stephen Sondheim and James Lapine's 'Into the Woods'. Like them, it is a play about enchantment and disillusion, dreams and reality.
My favorite word was a word James Lapine used repeatedly in 'Sunday in the Park with George,' which was the word 'connect.' All I want to do is connect.
I love these members, they get up and say, 'Read the bill ... What good is reading the bill if it's a thousand pages and you don't have two days and two lawyers to find out what it means after you read the bill?'
It's my given, full name. Finn's not short for anything; it's just Finn Wolfhard. And then Wolfhard means, I think, heart of the wolf in German.
Every woman deserves diamonds, and even if you can't afford to go out and buy diamonds for yourself or you don't have actual stone diamonds, I think when we look at ourselves we should refer to ourselves as a precious stone.
Geniuses come in many shapes and colors, and they often run in packs. If you can find one, it may lead you to others. Collaborate with geniuses. Send them your spells. Look carefully at theirs. What could you do together? Combination is creation.
I think the hero in our generation is not the individual but the pair, two people who together add up to more than they are apart.
For 'The Journal of Finn Reardon,' I traveled to New York City and walked the streets where Finn and his friends would have lived, worked, and played. I visited the Tenement Museum on Orchard Street and toured an actual flat in which families like Finn's might have lived.
I'll just do a round around of the house and make sure the rest of the family are fast asleep. We don't want that sharp-nosed aunt of yours catching us when we find the diamonds." "What diamonds?" "Think positive for once...Which would you rather, diamonds or the remains of a murdered maidservant? It's all a question of attitude.
There are two kinds of theatre, good and bad. Much as I should like to see theatre in America, I would rather have no theatre than bad theatre. What we must strive for is perfection and come as close to it as is humanly possible.
When we heard we were topping the bill over James Brown we couldn't believe it. We tried for two days to get it changed round - I mean you can't follow an act like that.
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