A Quote by Mani Sharma

While there is a typical introduction song for the hero, there are songs that represent each phase of the characters' journey. — © Mani Sharma
While there is a typical introduction song for the hero, there are songs that represent each phase of the characters' journey.
There is a regular format for songs in commercial films, such as a hero introduction song, but in 'Premier Padmini,' the songs and the background score aid the script.
Each song is a lifetime, it begins and ends, and there's a journey taken within the songs.
All the songs are pieces to the puzzle. They each represent something different. So it's really difficult to say one song represents the album.
In Kannada cinema, the introduction song for the hero is normally, as we call it, a massy commercial number.
'Soulfire' is a collection of stuff I've done in the past. Each song is an element of who I am: There's a doo-wop song on the album; a blues song, R&B and some jazz. For people who are going to be hearing me for the first time, it's an introduction to who I am.
I think all my albums have concentrated on songs, I've never taken the typical Van Halen route to try and become a guitar hero.
There is what I would call the hero journey, the night sea journey, the hero quest, where the individual is going to bring forth in his life something that was never beheld before.
Some directors ask for a hero introduction number, a duet and a fast number towards the climax. Most of the times, these songs only hinder the story.
The anti-hero or hero usually has a journey or quest so they are interesting as you find out what's going to happen, what they are looking for. What are they trying to do? Sometimes what they do is heroic or comes with a price or sacrifice or maybe the way they do things isn't so great and that's when they become anti-heroes. But the journey of an anti-hero combined with a good story done well is always worthwhile.
Acting in a music video is basically about lip syncing songs and giving expressions that represent what the song is about. While acting for the silver screen, you have to deliver dialogues, remember them, and you have to be in a certain frame of mind.
Love is a hero’s journey, and the hero’s journey is a noble but difficult path.
I have amassed an enormous amount of songs about every particular condition of humankind - children's songs, marriage songs, death songs, love songs, epic songs, mystical songs, songs of leaving, songs of meeting, songs of wonder. I pretty much have got a song for every occasion.
I believe that if the story is fleshed out and the characters more believable, the reader is more likely to take the journey with them. In addition, the plot can be more complex. My characters are very real to me, and I want each of my characters to be different.
We tell each other stories so we can understand the world better and there's catharsis and we understand the models of what a hero could be and what the hero's journey as a human being is all about. But unfortunately, I think sometimes those stories too can be very prohibitive and confining.
Certain songs have a life, and certain songs don't. A song is like a saddle: you ride it for a while, and if it's the right kind of song you can sing it for the rest of your life. And then other songs are only really important for certain periods of your life, and you move on from them and find yourself not necessarily needing to sing them anymore.
I guess that’s the thing about a hero’s journey. You might not start out a hero, and you might not even come back that way. But you change, which is the same as everything changing. The journey changes you, whether or not you know it, and whether or not you want it to.
This site uses cookies to ensure you get the best experience. More info...
Got it!