A Quote by Manila Luzon

A lot of the inspiration for my album 'Rules' was the cheekiness of Aqua. — © Manila Luzon
A lot of the inspiration for my album 'Rules' was the cheekiness of Aqua.
I was listening 'Plastic Ono Band,' the John Lennon album a lot, and that might have had some inspiration on me.
On really hot days, I try to motivate friends and family to come into the pool for an aqua jogging session which I teach. Aqua jogging is a great way to avoid the impact of regular walking or jogging on land. This is especially beneficial for those who have joint pain or who are healing from an injury.
From the first album I'm playing bass on a lot of the tunes, and piano on a lot of 'em, and drums, and guitars. I did that on almost every album.
I'm an untrained musician. Untrained musicians don't really have any music theory, they don't have a lot of rules. We break the rules, but it's mostly because we don't know what the rules are. It's easy for us to go to certain places, so I'm not surprised that a lot of people were amused by my songwriting style.
I had great inspiration from a Japanese composer named Toru Takemitsu. He wrote over 90 film scores and a lot of concert music, a lot of classical music, and he gave me a lot of inspiration, as well as composers from other countries.
I'm listening to a lot of Drake, and a lot of Frank Sinatra just because it's his centennial also. I'm going to be doing some tributes to him this year. I love that Beck album. It was funny to me because my two favorite albums of the year were definitely the Beyonce album and the Beck album.
I guess, a lot of people think is a long time between albums. It was needed for me. I went through a lot to get the album ["Wild Things"] finished. I actually went through a lot to even get the album started.
I've been through a lot, both personally and professionally, and the album that I started to record two and a half years ago is a different album from the one that exists today. I even changed the album title. First it was 'All I Want is Everything,' and now it's 'Jumping Trains.'
I think there are a lot of rules for women. We have a lot of expectations and a lot of rules for women. So we're expected to march in a straight line, and when we don't, all hell breaks loose.
The natural world operates by its own set of rules. The animal world, all the places that are feral and ungovernable, that's where I find a lot of inspiration. There is just as much beauty there, but there is also decay and violence.
The rules that I adhere to are the rules of minimalism. And those rules kind of force writing to be more filmic... to have the immediacy and accessibility of film so that the reader really has to fill in a lot of the details.
A lot of people do talk about the demise of the album, but I still believe that if an artist tries hard to make a great album, people will buy it and listen to it as an album, rather than just a collection of random songs.
I probably could have gone in depth about a lot of things, but then the album would've been longer. You can't have a short album when you're talking about suicide and cocaine. That's not going to be a short album.
In the track of fear we have so many conditions, expectations, and obligations that we create a lot of rules just to protect ourselves... when the truth is that there shouldn't be any rules. These rules affect the quality of the channels of communication between us.
On my first album nobody asked me for a lot of advice. It was a producer's album. We were sent the same type songs with stock melodies. It was my first album and I was happy to do about anything they'd ask me.
A lot of young writers wait for inspiration. The inspiration only hits you at the desk.
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