A Quote by Manish Arora

It's not like I studied abroad, I went to school and university in New Delhi. So many people in India think of me on the level of big artists, which is wonderful - and also an enormous responsibility.
When I was in college at the University of Pennsylvania, where I studied international relations and French, I studied abroad in Paris for a semester. I think when you're there, you can't help but be immersed in fashion because it's such a part of the city.
Working for an older house is a great opportunity, but it's also a big responsibility. The fortunes of a lot of people and families are based on what the results of my collections are, and how successful they are on a commercial level, and how big an impact they have on a trade level as well. So I think I'm a little bit more chill about that.
I'd love to have a program like 'Dr. Laura.' I studied psychology at the University of Miami, and when I rode the bus home from school, perfect strangers would strike up conversations with me and end up telling me their life stories. I think they could sense that I was studying to help people. That, or I have a face like a priest.
I was in high school when Pandit Jawaharlal Nehru unfurled India's flag in New Delhi.
I am the first one in my family to go to college and I felt a great responsibility when I was at school, because my family was making so many sacrifices for me to be there. I was raised by a single mother, my grandmother got on the plane and helped me move to New York and moved me into the dorm. It was just a big moment, and, yes, it was my dream to be an actress, but also I didn't want to let them down.
We don't necessarily need so many artists. I recommend that many of the people who think they want to be artists should go into the American Friends Service Committee, or do government outreach to communities that don't have water, or that need seeds or ecological assistance. It would create a system in which people with engaged sensibilities and potential insight assist instead of imposing. I think it could leap right out of the art world into wonderful community action.
I went to a school called Chapman University, which is a wonderful film school. It was a great program, but it was very white, and it was a culture shock for me because I grew up in Houston, Texas, and I went through what they call magnet schools, so my friends were like a Benetton ad.
I'm inspired by artists and musicians. There are so many wonderful and talented people in the world. I love discovering new music, new writers, or new art.
I finished high school and studied at the University of Nebraska in the school of journalism, which really turned me onto journalism. I never finished, but the very little that I did learn in two-and-a-half-years prepared me for a career in legitimate journalism, which included WWE, AWA, WCW, and everything in-between.
I went to McGill University, but I didn't graduate. They won't graduate me because I didn't have a degree in any one thing. I studied everything and they were like, "You studied too many things, so we can't give you a degree."
I love knowing and learning about people around the world displaying my art online. Also, it's how I learn about new artists that are in various parts of the world. The positive thing about Tumblr and Instagram is that they're a fantastic platform for art lovers. I also like, when I search for my art and it says, "see also or related artists," and I see those other artists that relate to me, at least according to the internet. I think it's fascinating - it's interesting to see hashtags people are using in relation to my work. It's another tool of communication.
When I was in Wuhan, I went to the art school, which was one of the most important art schools in China, an enormous art school. One of the things that I saw is that the schools are very big and there are so many students. It is very difficult to me to teach creative activity to great numbers of people, because I think you need personal contact with students, you need to speak individually, you need individual contact between teachers and students, you need continuity. To me this is a problem in mass education in every society now.
If you think of India in the 1980s, there weren't many writers in English around. The ones that were there, Amitav Ghosh or Vikram Seth, were living abroad or publishing from abroad.
I did drama school in Delhi. I am glad I studied in a school where cultural activities were significant.
Delhi is not just India Gate and Lal Qila, its way beyond that. There are a lot of things that's Delhi, which only a Dilliwalla can understand.
I see everybody arguing about what the value of music should be instead of what I think the bigger conversation is, which is that music has value, it's subjective and we're moving to a new era where the audience is taking more responsibility for supporting artists at whatever level.
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