A Quote by Manish Dayal
Working with Lasse Hallstroem was like a rollercoaster, because he doesn't have one specific vision. It changes daily, or it's always evolving.
Related Quotes
I like working in television because it's an evolving story that you tell. That's also one of the things I don't like about it, too. Because sometimes it's hard, and just when I think I've nailed something, it changes or we have to change it or change the joke or the character is evolving in a way that I don't have control over.
Climate has always changed. It always has and always will. Sea level has always changed. Ice sheets come and go. Life always changes. Extinctions of life are normal. Planet Earth is dynamic and evolving. Climate changes are cyclical and random. Through the eyes of a geologist, I would be really concerned if there were no change to Earth over time. In the light of large rapid natural climate changes, just how much do humans really change climate?
There is no normal. What my job was a few years ago was completely different than what it is today. As soon as I have it dialed in, the company changes and the team changes and my role changes as a result. What the company needs is always evolving, and I don't get to choose what I want to do as much as I thought I would be now - which is OK. It keeps me in this position of learning new things and keeping me humble. There is always something I don't know, and I'm comfortable with that.
I like it when people are kind and I like people who are looking for collaborators. Sometimes you can feel like a moving prop, and that could be amazing, you can be a prop in somebody's incredible vision, but I'm more interested in people who are looking for actors they can collaborate with and make something together with. I like stretching myself, I like trying new things out, but I'm really interested in working with directors who have a very specific style and a unique way of working.
When I did 'Ugly Betty' it was very similar to working on 'Mad Men' - great group of people in their own little world. But I don't really see a lot of difference. Of course, on the cable shows, you can tackle subjects and be more specific, because networks have to appeal to the masses, but that's constantly changing and evolving.
The pressure is always very high. I am the client, and when I am the client, I need to fight with the photographer or with the stylists or with all the people that are on the set, because I am the only one who has a very specific vision. I always have the pressure, either from myself or from the company. I am a control freak. It's part of my culture. I know that I am still working to build a Frida moment at Gucci.
With 'Mask,' 'Smooth Talk' and 'Blue Velvet,' I loved the specific experiences so much. Each one was a specific filmmaker with a specific vision.
I chose busking because I didn't want to be working for someone else. I wanted to work as I am. I feel like you ultimately do have a choice if you have your vision. So, I had a vision forever that I was going to play music. And there was no stopping that.
There are albums that I like because of specific songs, but then there are albums that I like as a complete body of work. 'Ghetto Fabolous' is an album I lived with daily.
That 'Rollercoaster' album cover was very prophetic in its own way. My career has been a rollercoaster of highs and lows.
Vision is easy. It's so easy to just point to the bleachers and say I'm going to hit one over there. What's hard is saying, OK, how do I do that? What are the specific programs, what are the commitments, what are the resources, what are the processes we need in play to go implement the vision, turn it into a working model that people follow every day in the enterprise. That's hard work.
It's always exciting when you work on a show that's written by one person because you know that their vision is so specific. I need to find out why this person has chosen these words to communicate this thought.
Just like any songwriter, the songs come out of where I am in my life and what I'm doing and who I'm hanging out with and the kind of sounds I'm imagining. I always loved the idea of it evolving in the same way that life changes.
New York police force seems like unlike any other in America and even the world. There's a very specific culture dynamic, a specific chemistry. There's almost a specific set of rules because of the city and the size of it.
I find in working always the disturbing intrusion of elements not a part of my most interested vision, and the inevitable obliteration and replacement of this vision by the work itself as it proceeds.
It has to be a very specific role for me because of my accent. I can't complain; I've been working since I got to LA. But it is hard. I have no training as an actress so I try whatever I do like school, because I'm learning.
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