A Quote by Manisha Koirala

I think when an actress is good, roles in mid-forties is a great thing. — © Manisha Koirala
I think when an actress is good, roles in mid-forties is a great thing.
I look to longevity. I just consider myself an actress and getting good roles. If being a 'superstar' gets me good roles, then that's a positive thing. But my goal isn't just to be a superstar. It's to act for a long time.
The great thing about starting golf in your forties is that you can start golf in your forties. You can start other things in your forties but generally your wife makes you stop them, as Bill Clinton found out.
I had no idea of being a star, all I knew was that I wanted to be a great actress, I wanted to work as an actress. So I thought the way I would be a great actress was to sing and dance first. Lay a foundation - get my foot in the door, and then undoubtedly, of course, I would be offered great roles as soon as I grew up enough to handle them.
I look for roles that are a good story for me as an actress and what I think will grow me as an actress and person. I also just really enjoy working with people who are passionate about what they do.
I think so many men have this really sharp feeling of being a disappointment in their mid-forties. There's probably something chemical about it - the drop of testosterone, the fact that you don't feel the same way physically. It's a real thing. You do tend to feel like a disappointment.
I'm looking forward to being old, to be able to accept what I am and become self-sufficient. Mid-forties is a good age and it's not too far away.
Ornette Coleman is doing the only really new thing in jazz since the innovations in the mid-forties of Dizzy Gillespie, Charlie Parker, and those of Thelonious Monk
When you're a kid, somebody's mid-forties, you think they're an old man. Then you grow up and it's like, I was a kid.
Two of an actress's greatest assets are love and pain. A great actress, even a good actress, must have plenty of both in her life.
I feel there are only well acted or badly acted roles and no such thing as a good actor or actress.
I figured as I got older, the good roles for women would be in the theatre. So 15 years ago I started building a Broadway career to try and develop the chops to be accepted as a great theatrical actress.
I think that what I knew as a teenager, and what I rediscovered in my mid-forties, was - aside from the primacy of sexual desire and how strongly it rules me - this idea that we are lucky to feel something. Even if that something is sadness.
I didn't want to do a costume drama. It's a great thing to do, but I've done them, and I didn't want to do the same thing again. Of course, costume dramas can be from all different eras, but at the time, I just felt very sure that I didn't want to be boxed in as an English actress. I wanted to be an actress, rather than an English actress.
I had my mid-life crisis at 29. I've got my thirties and forties into the back end of my twenties.
Theater roles are written by the great masters. The greatest literature that you can possibly know are the theater roles like King Lear, Hamlet, and all of those great roles. So all you do is you dive into these unchallenged roles and see how far you can get, what kind of accolades you can get, and how good you can be in them. In movie roles, you can actually improve them by knowing a lot about your own stage technique, which helps a great deal in the cinema and how you can project inner humor even though the particular dialogue is not necessarily funny, but you can infuse it with humor.
When you envy actors, only envy them for their good roles. Keep in mind they have to do a lot of roles to make a living, and not all of them are good. When they're doing a stupid role in a bad production, it's kind of a dumb thing to do when you're an adult. When you're doing a great role that's well-written, it's an enviable job.
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