A Quote by Mannie Fresh

What made '400 Degreez' great is that Juvenile already had those raps. He already knew them. It was something that he knew every one of those raps. — © Mannie Fresh
What made '400 Degreez' great is that Juvenile already had those raps. He already knew them. It was something that he knew every one of those raps.
I remember, when I first rapped, I was writing raps. I don't write raps at all; I stopped early. I don't know - it seems like every day I find something a little bit easier.
This is going to seem odd, but I love Eminem because he has so much conviction and emotion in the way he raps. Every word that he raps, you feel it.
In hip-hop, there's not a lot of love. There's not a lot of love being spread. It's always like 'I'm stuntin' on you raps, or I'm better than you raps.' It's not a lot of 'Yo man, I idolize you raps.'
Naw, I don't write raps down. All my raps come off the top of the head.
Immortality is a belief grounded upon other men's sayings, that they knew it supernaturally; or that they knew those who knew them that knew others that knew it supernaturally.
If you knew that only a few would care that you came, would you still come? If you knew that those you loved would laugh in your face, would you still care? If you knew that the tongues you made would mock you, the mouths you made would spit at you, the hands you made would crucify you, would you still make them? Christ did.
Watching Jamila sometimes made me think the world was divided into three sorts of people: those who knew what they wanted to do; those (the unhappiest) who never knew what their purpose in life was; and those who found out later on. I was in the last category, I reckoned, which didn't stop me wishing I'd been born into the first.
I'd get kicked out of buildings all day long, people would rip up my business card in my face. It's a humbling business to be in. But I knew I could sell and I knew I wanted to sell something I had created. I cut the feet out of those pantyhose and I knew I was on to something. This was it.
Gangsta Rap is dead. I've moved on. And the raps that I'm rappin to my community shouldn't be filled with rage? They shouldn't be filled with same attrocities that they gave me? The media they don't talk about it, so in my raps I have to talk about it, and it seems foreign because there's no one else talking about it.
We had something over Everton in those games during the Eighties. We knew it and they did too. It was a huge thing to have, that psychological advantage, and we made the most of it.
Every time I bought someone's album, it was about the connection. I was loving everything, from their raps to their style. I wanted to meet them.
I can't remember what made my dad take us karting for the first time, I can't remember really. I was into motorsport by then and I knew everything, and every driver, it was around 2009, 2008. That's when I first properly knew about Formula One. Those were the days.
As an actor, I had the most power than I've ever had before, because I was able to create and arc and pursue that idea fully, because as every new director that came on, no one knew 'Hanna' like I knew 'Hanna.' That is something that I knew inside me.
I knew Tim Pastoor. I knew Sherry Ford. I knew many of the individuals who would follow me around. I knew who they were. I knew they had access to my email.
Now when I had mastered the language of this water, and had come to know every trifling feature that bordered the great river as familiarly as I knew the letters of the alphabet, I had made a valuable acquisition. But I had lost something, too. I had lost something which could never be restored me while I lived. All the grace, the beauty, the poetry, had gone out of the majestic river!
Rhyme patterns are nothing without meanings to the words. A lot of rappers can do those flows, but the raps aren't really about anything - which is cool sometimes, but to have the flow and the message is one of my favorite things.
This site uses cookies to ensure you get the best experience. More info...
Got it!