A Quote by Mannie Fresh
I did albums for Cash Money. I didn't do singles - I did whole albums for Cash Money - and at the end of the day, I'm saying I wasn't paid for albums, so its like you're doing 10 songs, and somebody pays you for 1.
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I really love crafting albums and thinking of albums as a whole, not just individual songs or singles or just tracks, but a whole entire album.
The albums I did around that time probably wouldn't have been the same without Ecstacy. The first three Soft Cell albums... were all really albums that were just done around Ecstacy and the whole E feeling.
There are parts in albums where I wrote a lot of the lyrics. There are parts on albums where Steve wrote a lot of the lyrics, even albums where Steve did the majority of the lyric writing. Then there were albums like 'Coming Home' where I did most of the chorus lyric writing. But it was always split.
I started running to different albums, and I was starting with the short albums and moving on to the longer albums. I was interested in how they built up, in tempo and intensity. it made me interested in albums again, too.
First of all, I've been having a wonderful run of luck with cover albums, songs I didn't write. I had five pop cover albums and two Christmas albums, and they were all very successful.
I find the fact that so few people buy albums to be strangely emancipating. There's absolutely no reason for 99% of musicians making albums to think about actually selling albums. So as a musician you can just make an album for the love of making albums.
Truth is, you make albums, and some of those songs are hits, and some of the greatest hits albums have songs that weren't hits. You have a career, the reason why we're still around 10 years is that we do have successful songs.
I listen to all the top 20 songs, and top 20 albums, even the rap albums. But I don't like negative messages. If somebody is putting a lot of ego out there, I don't like it. When I make my records I want it to be sincere.
There are albums that I like because of specific songs, but then there are albums that I like as a complete body of work. 'Ghetto Fabolous' is an album I lived with daily.
Our business has changed so much. Do people even want albums, or do they just buy singles now? You sort of feel like you're the last guy manufacturing VCRs... but I really like albums, and so I like doing them. I'll be the last one making them, even when no one's buying them.
We're very historically tried and true when it comes to our albums. We pick the best songs; we get rid of the songs we feel don't fit on the album, and we don't work on remixing or remastering albums.
If people had good albums, they'd be buying albums. But people are buying singles because they only have good songs.
When I listen to a band like Pink Floyd, I don't know the names of the individual songs, I know the full albums. That's what we want for our albums.
As a rapper, I was heavily influenced by American rap albums. But for songs that are more melody-driven, I get my inspiration from Korean albums.
'Vol. 3' is the most pleasing of our albums to me. And I want to keep making albums that are different from each other. And you can bet all our albums will have that twist that only Slipknot can do.
If you pretend to be somebody that you're not when you write songs - and I did that on some of the early Styx albums - nobody cares about what you have to say.
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