A Quote by Mannie Fresh

Cash Money really had no intentions of being a rap label because when it started, it really was based on bounce. It was one bounce song after another. I started to doing bounce songs for them, and they jumped off.
If pregnancy were a book, they would cut the last two chapters. The beginning is glorious, especially if you're lucky enough not to have morning sickness and if, like me, you've had small breasts all your life. Suddenly they begin to grow, and you've got them, you've really got them, breasts, darling breasts, and when you walk down the street they bounce, truly they do, they bounce bounce bounce.
'Chopper City in the Ghetto,' real talk, it's what changed Cash Money from a Bounce label to a Rap label.
There's no such thing as 'sissy bounce.' We don't separate it here in New Orleans at all. It's just bounce music. Just because I'm a gay artist, they don't have to put it in a category or label it.
Hillary Clinton should get a bounce out of her convention, I mean a bounce in the polls. I think it's probably conceded that Donald Trump got about a three-point bounce out of his conventions. He's closed the gap that much.
I try to do records sometimes that have a different bounce - maybe it's a Southern bounce or something.
We all get distracted, the question is, would you bounce back or bounce backwards?
It's different for every song. But for 'Say Something,' I think it was Chad who had an idea on guitar, and I had an idea on piano for different songs, and we just married them together. We bounce things off each other constantly and kind of massage all these ideas into a three and a half minute pop song.
As someone who started in the digital background, it's an easier, better, faster platform to bounce off of. You already have so much momentum, and you already have the experience. You're already comfortable being in front of the camera.
Being a perfectionist is really difficult. You're never really happy with what you're doing, no matter how good it is. When you can just release that pressure and be in someone else's work and still have the respect of those creators to bounce off the page and give your ideas that they can take or leave? I really enjoy that.
My fans saw 'Roll Bounce,' but also that older crowd who might not have been familiar with me on the music tip saw 'Roll Bounce' and loved it. 'Roll Bounce' opened up that door for me to have older people love Bow Wow and opened up that door so all of the kids would love Bow Wow. My fan base is really diverse; it's all ages and all colors.
I don't like showing the technique. I don't like people who say, "Here, I'm going to act, but first I have to bounce off this wall." If you have to bounce off the wall, do it by yourself. Don't feature the technique. My old drama coach used to say, "Don't just do something, stand there." Gary Cooper wasn't afraid to do nothing.
I like to work with co-writers because I think it's really fun to bounce ideas off each other.
In South Africa, you can get away sometimes because of the bounce. You may get away with full wide balls. In India, it does not bounce and finds the middle of the bat and goes flying to point or extra cover for four.
The Ping 51-degree makes for a nice transition from the irons. On my 60, it says 8 degrees of bounce, but I grind it to about 5 or 6 degrees. I tried a head with less bounce, but it just didn't look right.
That's how it all started, when I met my wife. My music career, even though I started when I was 16, it never really started till I was like 30, when I started singing and writing my own songs, and that's when it really took off. But prior to that, I was just doing a bunch of covers.
No one wants to hear me over some smooth, regular beat, or just into the times. I try to do records sometimes that have a different bounce - maybe it's a Southern bounce or something. And people shoot me all day long.
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