A Quote by Mannie Fresh

I'm too old to be making dis songs. — © Mannie Fresh
I'm too old to be making dis songs.

Quote Topics

I like mash-ups, taking contemporary songs and making them old... old songs, making them new.
I was immersed in popular songs of the time, of the '30s and '40s. I was writing songs, making fun of the attitudes of those songs, in the musical style of the songs themselves; love songs, folk songs, marches, football.
I don't write songs in order to stick it to my exes. I don't release underground dis tracks.
My kids are not interested in anything I do. And I mean that not in any dis to my children or dis to me. My kids have their own life, they could give a sh*t what I do.
There will be slow songs, sad songs, happy songs, songs about boys, and songs about being who you are. I'm making sure I'm happy with all of the songs, because if I am not happy with them, I can't expect anyone else to be, you know?
The thing about Bob Dylan's performative essence is that he keeps singing these old songs as well as the new songs, and the old songs become new with new arrangements and new contexts as time goes by.
I used to imagine that making it in music - really making it in music - is if you're an old man going by a schoolyard and you hear children singing your songs, playing jump-rope, or on the swings. That's the ultimate. You're in the culture.
Then the musical instruments appeared. Dad’s snare drum from the house, Henry’s guitar from his car, Adam’s spare guitar from my room. Everyone was jamming together, singing songs: Dad’s songs, Adam’s songs, old Clash songs, old Wipers songs. Teddy was dancing around, the blond of his hair reflecting the golden flames. I remember watching it all and getting that tickling in my chest and thinking to myself: This is what happiness feels like.
There's only one reason why you write new songs: You get sick of the old songs. It's not that I didn't do anything during the time when I wrote no songs. I was creative, but in another way. I had ideas for songs and collected the ideas.
I have amassed an enormous amount of songs about every particular condition of humankind - children's songs, marriage songs, death songs, love songs, epic songs, mystical songs, songs of leaving, songs of meeting, songs of wonder. I pretty much have got a song for every occasion.
I love songs but am inhibited to have my characters burst out to express themselves through songs. I use the route of using old songs at the right places.
The reason I don't play any of the old songs is because I really honor my old band, and I think that those songs are best served within the context of that band.
Never say you are too old. You do not say it now, perhaps; but by and by, when the hair grows gray and the eyes grow dim and the young despair comes to curse the old age, you will say, "It is too late for me." Never too late! Never too old! How old are you--thirty, fifty, eighty? What is that in immortality? We are but children.
Recognizing that the world is governed by a minority, the sexually active, and that they hold sway of a huge majority of the nonsexual, those people too young or too old or too poor or too homely or sick or crazy or powerless to be able to afford sexual partners (or the luxury of systematic, sustained and shared introspection, so sexual in its own way). All advertisements and films and songs are addressed to sexuals, to their rash whims and finicky tastes.
Making a record? You've got to have the song, then you create a record. I think it's the same with a live performance. If the material is strong, you're already 90% there. I always tell young people it's all about the music, the songs. Work on the songs, work on the songs, work on the songs.
I like making songs up. Whether or not they're great songs or good songs, whatever. It's something I've always done, and I definitely feel like I've gotten better at it.
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