A Quote by Manning Marable

What is striking is that from almost from the very beginning of certainly by September and October of 1963, as the book was being constructed, that [Alex] Haley was vetting - asking questions to the publisher and to the publisher's attorney regarding many of the things that Malcolm X was saying. He was worried that he would not have a book that would have the kind of sting that he wanted.
Over a period of about year-and-a-half, Malcolm X and [Alex] Haley agreed to work with each other. They met usually after a long business day that Malcolm put in very tired. He would get there at about - either at Haley's apartment or they would meet at then Idyllwild Airport at a hotel, and Malcolm would be debriefed by Haley. He would talk, Haley would take notes.
Let me put it in a positive light, with that archive [of Anne Romaine], we have gained extensive knowledge about how [Alex] Haley and Malcolm X actually worked and how the book, the autobiography, was constructed.
"Eight Days of Luke" was refused by another confused publisher on the grounds that children shouldn't strike matches. When my agent pointed out that David in the book was twelve years old, the publisher said that he was striking matches to summon the devil, then, and this couldn't be allowed.
[Mark] Twain was a publisher. He published General Grant's Memoirs (a big success) and had a hand in the publishing of many of his own books. He would, I think, be very keen about the question of how a book would sell.
The book [There are More Beautiful Things Than Beyoncé?] is quite complex, and I was worried that it would be marketed as one-sided or flat, and I knew that Mickalene's [Tomas] work would be able to encompass all the many states of being that are in the book.
It was amazing to me then, and still is, that so many people who wander into bookshops don't really know what they're after--they only want to look around and hope to see a book that will strike their fancy. And then, being bright enough not to trust the publisher's blurb, they will ask the book clerk the three questions: (1) What is it about? (2) Have you read it? (3) Was it any good?
You want to publish with a publisher because a publisher knows how to publish a book. And you don't. You really don't.
What Malcolm X did not know is that back in 1962, a collaborator of Alex Haley, fellow named - a journalist named Alfred Balk had approached the F.B.I. regarding an article that he and Haley were writing together for The Saturday Evening Post, and the F.B.I. had an interest in castigating the Nation of Islam, and isolating it from the mainstream of Negro civil rights activity.
If the real world were a book, it would never find a publisher.
Sarah Palin - now don't laugh - is writing a book. Not just reading a book, writing a book. Actually, in the word of the publisher, she's 'collaborating' on a book. What an embarrassment! It's one of these 'I told you,' books that jocks do.
There's a hidden history. You see, Malcolm X and [Alex ] Haley collaborated to produce a magnificent narrative about the life of Malcolm X, but the two men had very different motives in coming together.
Certainly, I had a wonderful push from my publisher and got very lucky. I'm very aware of what it means to have a publisher back you. But your job as a writer, no matter what else is happening, is to continue to produce work-whether you're succeeding or failing.
In the case of Alex Haley, Haley's material is located at the University of Tennessee at Knoxville, primarily. But there are a whole series of elaborate steps that one has to - has to encounter in order to even begin to do research. There's an attorney. If you want to photocopy material from that archive, you have to get permission from the attorney beforehand.
I write synopses after the book is completed. I can't write it beforehand, because I don't know what the book's about. I invent something for my publisher because he asks for one, but the final book ends up very differently.
I didn't write professionally at first. It took me nine years to get anything published. At the beginning I mostly wrote picture books, which were rejected by every children's book publisher in America. The first book of mine to be accepted for publication was ELLA ENCHANTED, and not one but two publishers wanted it. That day, April 17, 1996, was one of the happiest in my life.
Malcolm X had a habit of scribbling notes in small pieces of paper that [Alex] Haley would surreptitiously pick up at the end of their discussions.
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