A Quote by Manning Marable
Let me put it in a positive light, with that archive [of Anne Romaine], we have gained extensive knowledge about how [Alex] Haley and Malcolm X actually worked and how the book, the autobiography, was constructed.
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Anne Romaine collected her own parallel archive to [Alex] Haley.
Over a period of about year-and-a-half, Malcolm X and [Alex] Haley agreed to work with each other. They met usually after a long business day that Malcolm put in very tired. He would get there at about - either at Haley's apartment or they would meet at then Idyllwild Airport at a hotel, and Malcolm would be debriefed by Haley. He would talk, Haley would take notes.
UCLA acknowledged this shift by bringing in Alex Haley (the co-author of The Autobiography of Malcolm X) and Eldridge Cleaver (Soul on Ice) as speakers.
What is striking is that from almost from the very beginning of certainly by September and October of 1963, as the book was being constructed, that [Alex] Haley was vetting - asking questions to the publisher and to the publisher's attorney regarding many of the things that Malcolm X was saying. He was worried that he would not have a book that would have the kind of sting that he wanted.
There's a hidden history. You see, Malcolm X and [Alex ] Haley collaborated to produce a magnificent narrative about the life of Malcolm X, but the two men had very different motives in coming together.
In the case of Alex Haley, Haley's material is located at the University of Tennessee at Knoxville, primarily. But there are a whole series of elaborate steps that one has to - has to encounter in order to even begin to do research. There's an attorney. If you want to photocopy material from that archive, you have to get permission from the attorney beforehand.
Anne Romaine [ is ]folk singer and a skillful historian, even though she was not formally trained in the field [of Malcolm X].
What Malcolm X did not know is that back in 1962, a collaborator of Alex Haley, fellow named - a journalist named Alfred Balk had approached the F.B.I. regarding an article that he and Haley were writing together for The Saturday Evening Post, and the F.B.I. had an interest in castigating the Nation of Islam, and isolating it from the mainstream of Negro civil rights activity.
Malcolm X had a habit of scribbling notes in small pieces of paper that [Alex] Haley would surreptitiously pick up at the end of their discussions.
[Alex] Haley's objective was quite different. Haley was a republican. He was an integrationist. He was very opposed to black nationalism.
I make it happen. Who bought Alex Haley's book 'Roots' for TV? Me. I hired the director, hired the writer. I put them all together. I'm like the chef. If I mix all the ingredients right, it's going to taste terrific. If I don't, it's not going to come out good.
Very few people have actually had a chance to see the raw material that was going to comprise these three chapters [of Malcolm X Autobiography]. The missing political testament that should have been in the autobiography, but isn't.
I wrote a little autobiography about how luck has to do with everything. It's called 'My Lucky Life In and Out of Show Business.' A publisher came to me and said, 'Write a book,' so I did. I wanted to call it 'Everybody Else Has Got a Book.'
I wrote a little autobiography about how luck has to do with everything. It's called "My Lucky Life In and Out of Show Business." A publisher came to me and said write a book so I did. I wanted to call it "Everybody Else Has Got a Book."
I always believed that social science was a progressive profession because it was the powerful who had the most to hide about how the world actually worked and if you could show how the world actually worked it would always have a de-masking and a subversive effect on the powerful. I don't think that's quite true, but it seems to me it's not bad as a point of departure anyway.
My architecture tends to be legible, light and flexible. You can read it. You look at a building, and you can see how it is constructed. I put the structure outside.
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