A Quote by Manning Marable

[Alex] Haley's objective was quite different. Haley was a republican. He was an integrationist. He was very opposed to black nationalism. — © Manning Marable
[Alex] Haley's objective was quite different. Haley was a republican. He was an integrationist. He was very opposed to black nationalism.
Over a period of about year-and-a-half, Malcolm X and [Alex] Haley agreed to work with each other. They met usually after a long business day that Malcolm put in very tired. He would get there at about - either at Haley's apartment or they would meet at then Idyllwild Airport at a hotel, and Malcolm would be debriefed by Haley. He would talk, Haley would take notes.
In the case of Alex Haley, Haley's material is located at the University of Tennessee at Knoxville, primarily. But there are a whole series of elaborate steps that one has to - has to encounter in order to even begin to do research. There's an attorney. If you want to photocopy material from that archive, you have to get permission from the attorney beforehand.
What Malcolm X did not know is that back in 1962, a collaborator of Alex Haley, fellow named - a journalist named Alfred Balk had approached the F.B.I. regarding an article that he and Haley were writing together for The Saturday Evening Post, and the F.B.I. had an interest in castigating the Nation of Islam, and isolating it from the mainstream of Negro civil rights activity.
There's a hidden history. You see, Malcolm X and [Alex ] Haley collaborated to produce a magnificent narrative about the life of Malcolm X, but the two men had very different motives in coming together.
There is no direct evidence that [Alex] Haley sat down with the F.B.I.
[Alex Haley] objective was to illustrate that the racial separatism of the N.O.I. was a kind of pathological or a kind of - it was the logical culmination of separatism and racial isolationism and exclusion.
Anne Romaine collected her own parallel archive to [Alex] Haley.
UCLA acknowledged this shift by bringing in Alex Haley (the co-author of The Autobiography of Malcolm X) and Eldridge Cleaver (Soul on Ice) as speakers.
Malcolm X had a habit of scribbling notes in small pieces of paper that [Alex] Haley would surreptitiously pick up at the end of their discussions.
Inspired by Alex Haley's 'Roots,' at the age of 11 I began a handwritten Middle Passage story called 'Lawdy, Lawdy, Make Us Free.' I was raised by civil rights activists with a very strong sense of racial history and consciousness.
Let me put it in a positive light, with that archive [of Anne Romaine], we have gained extensive knowledge about how [Alex] Haley and Malcolm X actually worked and how the book, the autobiography, was constructed.
I'm like an eclipse on a Friday the 13th, With black cats and Haley's Comet, Blazin' blunts in my driveway.
[Alex] Haley had a tendency to write even more frequently and voluminously to his agents and his editors than he did putting pen to paper in his own books.
What is striking is that from almost from the very beginning of certainly by September and October of 1963, as the book was being constructed, that [Alex] Haley was vetting - asking questions to the publisher and to the publisher's attorney regarding many of the things that Malcolm X was saying. He was worried that he would not have a book that would have the kind of sting that he wanted.
You can say I had a severe case of 'Roots' envy. I wanted to be like Alex Haley, and I wanted to be able to... do my family tree back to the slave ship and then reverse the Middle Passage, as I like to put it, and find the tribe or ethnic group that I was from in Africa.
I make it happen. Who bought Alex Haley's book 'Roots' for TV? Me. I hired the director, hired the writer. I put them all together. I'm like the chef. If I mix all the ingredients right, it's going to taste terrific. If I don't, it's not going to come out good.
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