A Quote by Manny Farber

One of the fine moments in 1940s film is no longer than a blink: Bogart, as he crosses the street from one bookstore to another, looks up at a sign. — © Manny Farber
One of the fine moments in 1940s film is no longer than a blink: Bogart, as he crosses the street from one bookstore to another, looks up at a sign.
A pessimist is a man who looks both ways when he crosses the street.
There is a path toward the light. The one that goes blink, blink, blink inside your chest when you know what you're doing is right. Listen to it. Trust it. Let it make you stronger than you are.
20 minutes later: a girl on Himmel Street. She looks up. She speaks in whisper. 'The sky is soft today, Max. The clouds are so soft and sad, and...' She looks away and crosses her arms. She thinks of her papa going to war and grabs her jacket at each side of her body. 'And it's cold, Max. It's so cold.
To be sure, not all moments are equally fleeting. Some moments last longer than others. And certain events do reoccur more than once and even recur repeatedly. Sometimes you do get more than one chance. Sometimes you don't. It helps to know how long a window of opportunity you have and if you'll get another chance.
The Doctor: Don't blink. Don't even blink. Blink and you're dead. Don't turn your back. Don't look away. And don't blink.
Howard Hawks said he'd like to put me in a film with Cary Grant or Humphrey Bogart. I thought, "Cary Grant-terrific! Humphrey Bogart-yucch."
Maybe the best example of the unmuscled hero is Humphrey Bogart in 'Casablanca.' Bogart was 15 years older than Ingrid Bergman, and it did not matter at all. He had the experience, the confidence, the internal strength that can only come with age.
What I find is that the taking, the stealing, the appropriation of images has to do with prior availability, and it sets up a degree where things can be shared... It's like 50% off... You can let something of another emotion or another personality sign on your work, or co-sign it.
When you sign up to a film, you sign up to everything that's in the script. I really believe in that.
I am driven by love and I have been in love with a handful of different people, men and women. It's like, if you go to a bookstore and you know exactly what kind of book you want, you have to look it up in the system because it's in a specific section of the bookstore. I fit into a handful of sections in the bookstore.
I now hate actors that blink too much on screen. When people blink, I turn the movie off. So I don't blink at all.
If you've got the body and the chutzpah, a pencil skirt is so sexy on older women. Look for ones that fall just below the knee. Think 1940s, cinched-in jackets - imagine you are Lauren Bacall on a date with Humphrey Bogart and you just absolutely have to wear very high heels.
Every TV actor wants to do a film, but the thing is that if you sign up for a film then you have to be ready to dedicate time, which can run up to 2-3 years.
When you need to borrow money the Mob seems like a better deal I think. 'You don't pay me back I break both yer legs.' Is that all? You won't take my house or wreck my credit rating? Fine where do I sign. Legs? Fine. You don't even have to sign anything.
One sign of a great actor is when he can be alone by himself on the screen, doing almost nothing, and producing one of a film's defining moments.
I won't sign a film thinking, 'Oh my God! I don't have a film so I've got to sign one real quickly.'
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