A Quote by Manny Machado

I'm not the type of guy who is going to be out in front of a microphone for attention. — © Manny Machado
I'm not the type of guy who is going to be out in front of a microphone for attention.
You can show a guy sort of peeking over the wall, you can see a guy tunneling underneath, you can see a guy going through the front door. All of those, in cyber terms, are vulnerabilities, because it's not that you have to look for one hole of a specific type. It's the whole paradigm.
I've always said that I'm an employee and I respect that status but I'm the type of guy who walks in the front door and I'll walk out the front door if it's not right.
Being on TV in front of people is a lot different than sitting in a dark room with a microphone. When I had my radio show, I was on four hours a day for 20-something years. If you put a live microphone in front of Mother Teresa for that amount of time, she'd piss somebody off.
My mentality is I've never been the guy that always has to be the center of attention or has to be the front guy. I have no problem doing my job and somebody else getting the credit, or the attention being on somebody else.
I'm not the type of guy to go out and just say, 'Hey, I'm raising my fist to do this and do that.' I don't think I'm that type of guy. I wasn't a leader the way other people may have wanted me to be.
I'm the type of guy, I get mad if I see you keep dribbling in front of me. I'm going to try to get it eventually. I just got a knack for the ball, I guess.
I've gone for each type: the rough guy; the nerdy, sweet, lovable guy; and the slick guy. I don't really have a type. Men in general are a good thing.
I don't want to be the guy who's 50-something years old sitting in front of a microphone with my beard dyed black and my hat on backwards, yo-yo-yoing.
It's weird but I've never really been the type to have fixations on the leading man actor. I've always been drawn more to the rock star. I love a guy on the microphone commanding an audience.
Most of the time, particularly with this record, 'The Light of the Sun,' I really just been standing in front of a microphone and blacking out musically, you know. I'd come back a couple hours later and there's six songs from beginning to end, you know? I don't know what I'm going to say. I don't know how I'm going to say it.
I found at an early age the times when I learned the most about myself was when I got thrown out there on a stage in front of a microphone when you didn't really want to be out there, where you're kind of afraid.
I'm more of a go-out-there-and-get-it-done-by-any-means type of guy that don't care what name is on the back of the jersey or what name is on the front of the jersey.
When I'm the person in front of the microphone, and I'm the person in the light, I want to reflect and refract the light onto places where they need the attention, where I don't need it.
When I first started, it was a dare. Someone basically said, 'You're a tough guy... but I'll bet you won't get on a microphone in front of a bunch of people.' I was terrified, but I did it. Once I broke the ice and got onstage and got some laughs, I thought, 'That's not so bad.'
I'm not really a big walk-around-the-city type of guy. I'm a hotel type of guy.
I'm sort of an optimist, a high energy type of enthusiastic guy. Someone that tries to be genuine with the players, I'm not a guy that's going to come in and be a drill sergeant.
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