A Quote by Manny Montana

A lot of people that are always trying to be funny and "on" and performing are just hiding. It's just a cover for what they really are and how they really feel. — © Manny Montana
A lot of people that are always trying to be funny and "on" and performing are just hiding. It's just a cover for what they really are and how they really feel.
That word 'funny' always makes me feel uncomfortable. Because if I were trying to be funny, I would be something like Bill Wegman - he really tries to be funny. I don't try to be funny. It's just that I feel the world is a little bit absurd and off-kilter, and I'm sort of reporting.
I'd been sick on tour for about two years with this medical anomaly that doctors couldn't figure out. That's a big part of my life: I just feel really sick a lot of the time and can't figure out why. I'd gotten these shots in Russia, where we'd just been. It was just heavy. It's just heavy performing for people who really care about you, and you don't really care that much about yourself sometimes.
My friends make me laugh: funny Instagram videos, but mostly people falling over. It's so bad, but it never gets old. I just love how people cover up their falls. The whole experience of 'Oh, I just fell, and I'm going to run out of the fall and pretend I did this on purpose.' I just like to see how people cover up their mishaps.
I have no idea how it got so big. I was just trying to find something to do while I was living in Boulder, Colorado, which isn't really a funny town. There are a lot of smart people there, but comedy isn't at the forefront of their minds.
To me, the funniest American of the Twentieth Century is Richard Nixon because he had the most to hide, and he was so bad at hiding it. To me, that's what's really funny - people who think they're doing a great job of hiding stuff, and it just keeps leaking out.
There's something about a wah pedal that really gets my gut going! People will probably say, 'He's just hiding behind the wah.' But that isn't the case. It's just that those frequencies really bring out a lot of aggression in my approach.
I don't feel that I'm explaining the world or teaching people anything. And I'm not trying to be a mirror, showing them what's really going on the world. All I'm trying to do is think of stuff that's funny, just like when I'm kidding around with my friends.
I always feel a little funny being in front of a lot of people trying to show them my approach to the ukulele, but I do enjoy it. I do get a little more nervous doing workshops rather than performing.
Most people are really fighting to not be adults. And, when it happens, it's a big transition. And a lot of that is just awful. It's awful to have to get a job and really be responsible for other people. And it is funny, too. Like, we're all kind of little idiot kids trying to act like we know what we are doing.
I feel like it's just so important for child and teenage development to have music in your life, honestly. And I just think it's really, really, really rewarding to me, personally, just emotionally, to know that I might have brought that into someone's life. And that just means a lot to me, because I know how important it can be.
My mum and dad are both really funny. My granddad's really funny. My uncle's really funny. Everyone's really funny. You have to be quick; otherwise, you get roasted. Everyone takes the piss quite a lot. You have to be really sharp.
My mum and dad are both really funny. My granddad's really funny, my uncle's really funny, everyone's really funny. You have to be quick, otherwise you get roasted. Everyone takes the piss quite a lot. You have to be really sharp.
In a lot of ways, I feel like I'm just taking the music that comes to me and trying to make it as beautiful as I can. You can't really predict or control how people will receive that music.
When you have a lot going on in a scene - whether it be a lot of shots, a lot of coverage, a lot of edits, or just the amount of content - it can cover up a deficit of true feeling. But when you don't have a lot of material to work with, you really have to be sincere with everything. You really have to mean it, because there's nowhere to hide.
It's funny; I think I'm at a level of recognizability - is that even a word? - where it's just really nice. I think when people are really famous, it can be hard for them because they feel like it's an invasion. But for me, it's just a few times every day when someone will say something sweet and validating, and it's just the best.
I always feel in a funny place when I'm really asked to inform people, so I just try to take the more absurdist route - like, "this is how you could do it, but it's actually turning into a cat now. This might happen at home I guess, but it probably won't."
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