A Quote by Manny Montana

When you're young, it's all about the society of school and being cool, but they don't understand that somebody can be different and live a different lifestyle and still be a regular person. I was the same way when I was a kid.
You don't have to treat people differently. You may be living a different lifestyle, but the person living that different lifestyle still can relate to anybody and have the same amazing personality of the guy from North Philly.
The cool thing about being different in this industry is that you get different roles; you aren't pigeonholed the same way.
As the older ones, to understand that it is a different time, and young people look at fashion in a different way . . . It's just different. If we harp on about it, they'll feel like we're just old fuddy-duddies, so I just kind of get on with it. I still feel I've got things to say.
Middle school was my most awkward stage. I switched schools after the sixth grade after having gone to the same school for six years with the same group of 40 kids. It was a shock. I reinvented myself. I experimented with different styles, different groups of friends, and different types of music and not knowing how to be cool.
When I go to a great movie, I can live somebody else's life a little bit for a while. I can walk in somebody else's shoes. I can see what it feels like to be a member of a different gender, a different race, a different economic class, to live in a different time, to have a different belief.
If you know people with Type 2 diabetes, there's a high likelihood they will have different medication regimes and different lifestyle options. When we label all these various types as the same thing, we treat them the same way, and they should not be treated the same way.
The people of the world, all of them, whether it is the different race or the different language or the different lifestyle, tend to only think about what we cannot share. But our brains are all the same. We are the same people. With everyone’s strength, we can all share the same feelings. That much is obvious. But it won’t come easily.
Mostly, I was into powerlifting when I was in high school. And I just continued to train the same way I was taught - to powerlift. Once I started doing bodybuilding, there were no real differences, just different exercises. A different way of training with more repetitions, but it was still the same lifting of very heavy weights to get stronger.
At different points, I applied to graduate school. I got into medical school. I thought about being a writer. I thought about being an investment banker. I just didn't know what I wanted to do with myself. I think the thing that best suits me about being a C.E.O. is that you get to exercise many different talents and wear many different hats.
The thing about India is that even if the economic backgrounds are different, the cultural background is the same. Somebody who is working as a tailor will also tie a black thread around his kid's wrist; so will somebody in Bollywood. That's the fun of being Indian.
It's because the idea of what's cool is different. When you talk to a girl who goes to regular school, what's cool is whether or not you've been to jail, or if you have a car. If you talk to a girl who goes to art school, what's cool to her is if you do art projects on the weekend with your dad, if you can build something - out-of-the-norm stuff.
One thing that I don't like about us as a people is that, when we don't have the same view as somebody, a lot of times we bash that person. We say negative things about that person. We all can co-exist with different beliefs. That's the beauty of it. That's why we all have personalities and are individuals. But a lot of people don't see it that way. They feel they have to bash somebody because of what they believe in or what they want to do.
I've had two romances since moving to Las Vegas. One was with somebody 12 years older than me, and the other was the same age, and neither worked out. I know people still think of me as one of Hugh Hefner's girlfriends, and he of course was much older than me, but that was a whole different lifestyle and a different kind of dating.
When I started doing improvise music in Europe, in the beginning I thought the way that Europeans were interpreting the reconstruction of deconstruction of this thing that we call jazz - of course it's different than what Americans do, because Europeans have a different history, a different sensibility and so forth - the nature of the creative process itself it's the same; but what comes from that creative process is different, because you have a different history, you have a different society, different language.
I'm not trying to create an aesthetic that's my own; I'm trying to create a way understanding things through drawing and painting. That's the common thread. Things can look different, but that's not what's important. What's important is the process is the same, the ideas are the same, I'm using the same building blocks, but they're different. The larger framework is the same; it's the pieces that change. For me, it's about these different elements, but you're still fitting them together into sentences, words, paragraphs, and stories.
You know, you have to do homework. You listen to who they are, what they do. I also compare it to designing clothes for people. If somebody brings in Tilda Swinton, you're not going to give her the same dress you'd give Gabourey Sidibe. Everybody looks different in a different line, a different color. The same thing with the way people speak.
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