A Quote by Manohla Dargis

Dancer, bride, runaway wife, radical filmmaker and pioneer - 
 Shirley Clarke is one of the great undertold stories of American independent cinema. — © Manohla Dargis
Dancer, bride, runaway wife, radical filmmaker and pioneer - Shirley Clarke is one of the great undertold stories of American independent cinema.
I think, for an actor, the whole world is a place of work because if you focus on characters and on stories, they are everywhere, so yeah, I feel very privileged to have had this great opportunities in the international cinema and especially in the American cinema.
American films are the best films. This is a fact. Cinema is - along with Jazz - the great American art form. And cinema in a very real sense created the American identity that has been exported around the world.
Never seek financial independence in independent cinema since independent cinema doesn't make money.
I read a lot of fantasy. I adored 'Anne of Green Gables'. But my favourite books as a child were probably Laura Ingalls Wilder's 'Little House' series, about a pioneer family in the mid-19th-century American west. I often thought of them as I was writing 'The Last Runaway'.
Feudal societies don't create great cinema; we have great theatre. The egalitarian societies create great cinema. The Americans, the French. Because equality is sort of what the cinema deals with. It deals with stories which don't fall into 'Everybody in their place and who's who,' and all that. But the theatre's full of that.
The bride, the white bride today a maiden, tomorrow a wife.
The only way independent cinema can come out of its own rut is by learning to be more consistent. An indie filmmaker should feel responsible for others as well.
Cinema is not about format, and it's not about venue. Cinema is an approach. Cinema is a state of mind on the part of the filmmaker. I've seen commercials that have cinema in them, and I've seen Oscar-winning movies that don't. I'm fine with this.
We [he and his wife Trish Van Devere] don't talk politics. I'm an independent conservative; she's a radical Democrat. We never vote together.
French cinema has always been very interesting, and it's still very powerful. I think it goes to show that it's great to still have a cinema that doesn't try to emulate, for example, American cinema.
My wife is a great dancer. But I don't dance.
When I first envisioned 'Funny Games' in the mid-1990s, it was my intention to have an American audience watch the movie. It is a reaction to a certain American cinema, its violence, its naivety, the way American cinema toys with human beings. In many American films, violence is made consumable.
If the literary category of 'mordant fable' exists at all, it may be because Brock Clarke invented it. The Happiest People in the World is everything we fans have come to love from a Clarke novel: playful and deliriously skewed, and somehow balancing between genuinely great-hearted and gloriously weird.
The great thing about cinema is that it's a great binder. It brings people from across the world together, often erasing the lines between geographies, languages, familiarity, and the like. Cinema is art and art, they say, is a reflection of life and society, so the way we tell our stories is the main differentiator for me.
By the time I finished 'Poison,' the New Queer Cinema was branded, and I was associated with this. In many ways, it formed me as a filmmaker, like as a feature filmmaker I never set out to be.
Shirley Temple doesn't hurt Shirley Temple Black. Shirley Temple helps Shirley Temple Black. She is thought of as a friend - which I am!
This site uses cookies to ensure you get the best experience. More info...
Got it!