A Quote by Manoj Bajpayee
Even the finest actors will have great difficulty showing somebody's loneliness. To put an actor on a chair and ask him to do nothing and yet tell the viewer everything about the character, it's a difficult task.
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I talk to God and ask Him to help me. I tell Him that everything I say and do in the game is for His glory and I ask Him to put me an angel on each side, in each post, and behind me so that everything can turn out fine.
But also out here in this dreary, difficult war, I think history will record that this may have been one of Americas finest hours, because we took a difficult task and we succeeded.
As a young actor, I was advised to bide my time. Back then, there weren't good roles for someone like me. There were handsome leading men and character actors for smaller supporting roles. But I was told to hang in there, and it was good advice. We're all character actors now. Even a handsome man is a character actor at my age.
Part of an actor's job is to actually adopt the world-view of the character she is playing and to tell the story from that vantage point. If an actor represses large aspects of their personality, they will have a severely limited range and castability. Great actors cultivate effortless access to their subpersonalities. Many acting teachers call this 'freeing your instrument.'
The formation of character in young people is educationally a different task from and a prior task to, the discussion of the great, difficult ethical controversies of the day.
It is tragic that we have lost one of our nation's finest actors in the prime of his life. Heath Ledger's diverse and challenging roles will be remembered as some of the great performances by an Australian actor.
With Aquaman I worked with such talented guys, Ivan Reis and Joe Prado. And he's a great character. I mean, Aquaman's a great character, he just hasn't been positioned in a role of importance in a long, long time. We tried to do that in this series; give him this platform because he deserves it, and give a very different perception of Aquaman while at the same time staying true to who the character is. Showing his power level, his fortitude, his sense of honor and commitment and responsibility, and hopefully showing everything that makes a hero a hero.
With acting, it's all about internalizing the character for me and doing all the preparation you can. So the day you first step into your wardrobe, you can walk like the person. That's really the moment where the light bulb goes off. You're nervous; any actor will tell you that. Robert De Niro will probably tell you the same thing. He may not want to share that with you, but he probably goes through it. That's why actors are so neurotic.
My goal as an actor was just to be somebody very human. I'm not really interested in playing a character who is particularly cool and everything he does looks great and turns out great.
I have great love for Saint Joseph, because he is a man of silence and strength. On my table I have an image of Saint Joseph sleeping. Even when he is asleep, he is taking care of the Church! Yes! We know that he can do that. So when I have a problem, a difficulty, I write a little note and I put it underneath Saint Joseph, so that he can dream about it! In other words I tell him: pray for this problem!
William Hartnell was one of the finest character actors of our time, and as a fan, I want to make sure that I do him justice.
I remember that. I was talking to him and I said how great it would be if actors had a tail because I have animals and a tail is so expressive. On a cat you can tell everything. You can tell if they're annoyed. You can tell whether they're scared.
My daughter...why do you not tell me about everything that concerns you, even the smallest details? Tell Me about everything, and know that this will give Me great joy. I answered, But You know about everything, Lord." And Jesus replied to me, "Yes I do know; but you should not excuse yourself with the fact that I know, but with childlike simplicity talk to Me about everything, for my ears and heart are inclined towards you, and your words are dear to Me.
Some actors come to casting and ask me, "Didn't you see my previous roles?" We do not work with actors like this. Their previous roles do not matter; I need the actual work with an actor in this particular character that has been written in our script. What matters is flexibility, believability and efficiency of an actor.
As an actor - and I say actor, but actress or actor, whatever - I've had to learn to be very open about what I want. I ask for it, even if I may not get it. I feel like it's worth the ask.
I direct as an actor. Many times, I will say, 'Let me try this.' And I'll walk the scene through and see what I can tell the actor about it. I don't know what to tell him until I've actually tried it and seen what the problem is.
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