A Quote by Manoj Bajpayee

If the director has clarity of thought and vision, you are bound to just go ahead and do what he wants to do. I respect that. — © Manoj Bajpayee
If the director has clarity of thought and vision, you are bound to just go ahead and do what he wants to do. I respect that.
Be yourself. Forget about whether you are male or female and just work hard to become a director who truly knows her craft and the direction she wants the film to go. People respect a director for her work regardless of her gender.
I thought ['Sailcloth'] was a terrific script. Elfar Adalsteins, the director, is bound to be a director we'll hear from, and the whole thing was really enjoyable.
I believe that the director is really the soul. It is a collaborative effort, but the director is the one who needs to have that vision. It could be a great script, but it starts from there. You need to have good material, at least, but if you don't have someone with vision, it's just words.
The amount of our endurance is directly proportionate to the clarity of our vision, so the practical application is we need to spend time to develop clarity of vision. What do you want your life to look like five, ten or fifteen years from now? Oftentimes, it's not so much a lack of discipline but a lack of vision.
Every big-budget film is powered by a director's vision. I blindly follow the instructions of my director, believe in him, and deliver what he exactly wants from me.
The director needs to have a vision and clarity in his mind. It's not enough to know the story, he or she should have the knowledge and efficiency to execute it articulately.
As an actor, we can only do what the director wants. Only the director has a vision of the entire film.
Often I visualize a quicker, like almost a ghost runner, ahead of me with a quicker stride. It's really crazy. In races, this always happens to me. I see the vision of a runner ahead of me, maybe just 15, 20 meters ahead of me, and the cadence of that runner, which is actually me in the future, is a little quicker, so if I'm going (his rhythm/breathing), then my ghost runner, the vision of me, ahead of me, like opening up and just going for it, is quicker .
I have my pride. I'm a director. I'm not going to go and recreate some other director's vision.
When you do a rewrite, it's really about serving the director's vision, and what the director needs to go into that script.
Certainly there is a lot of collaboration, but there is also a lot of clarity that has to be had in the vision that you have for the film when you come in as the director. Without that, there's no bullseye to be aiming for.
In films, you have to follow the director's vision. Filmmaking is a director's medium. So everything happens as per the script and his vision.
When I do a film, usually I work from my director. That's my boss. The director is interpreting the writer's vision, and we all interpret it, and they create their own vision as well.
As an actor, you've got to have faith in the director's vision, that the director has a vision for this that is greater than the critics say.
An actor is nothing without the vision of the director. The director needs to have a vision that will cross boundaries, that makes the audience sit on the edge of their seats and that pushes the envelope.
A vision should be judged by the clarity of its values, not the clarity of its implementation path [in Mediated Modeling page 43]
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