A Quote by Manoj Bajpayee

Deconstructing your performance is the curse an actor has to live with. That's why I don't watch my films. — © Manoj Bajpayee
Deconstructing your performance is the curse an actor has to live with. That's why I don't watch my films.
I think any actor that says 'I never watch my films' is a liar because you have to watch it at least once and also you're going to watch it when you're doing your ADR.
The director is the most important because, ultimately, as an actor, when you watch a movie, it looks like an actor is giving a performance, and they kind of are. But, what's actually happening is that an actor has given a bunch of ingredients over to a director, who then constructs a performance. That's movie-making.
For me, some of the happiest moments on a live-action film are the awkward moments. One actor says something to another actor. They didn't expect that performance from that actor; that affects their return performance.
Any messages for me?" Usually I got one or two, but mostly people who wanted my help preferred to talk in person. "Yes. Hold on." She pulled out a handful of pink tickets and recited from memory, without checking the paper. "Seven forty-two a.m., Mr. Gasparian: I curse you. I curse your arms so they wither and die and fall off your body. I curse your eyeballs to explode. I curse your feet to swell until blue. I curse your spine to crack. I curse you. I curse you. I curse you.
I've done a lot of films that are purely live-action roles, and even if I hadn't come across performance capture as a technology, I think I'd always consider myself a sort of mercurial actor.
I would love to work with Salman. I watch all his films. I loved his performance in many films.
I've done some wonderful performance on TV even better than films. But once people watch it, they just forget it. The impact is not strong. So, films and TV are different.
At the end, it's your movie and your performance that stands out. So if I am a good actor, and if am being part of good entertaining engaging films, audiences will like me.
Pure Flix makes evangelistic films, but we also make family films. I think the viewer wants to see quality entertainment that the whole family can watch, and many nonbelievers watch our films because they can watch with their family and young kids.
The next time you watch a villain or an actor whom you know to be a non-native speaker of the language, watch the lip-sync. You'll know the amount of work that dubbing artistes have been putting in to elevate the performance of the actors.
Bhojpuri cine fans watch good films. They watch Salman Khan's entertainers and can also watch 'Tanu Weds Manu' type of films too.
Why do you do what you do? Why do you dress the way you dress?Why do you do what you do with your time? Why do you watch what you watch on TV or at the movies or on the computer? Do you have God-glorifying reasons for all of it?
When doing films, ones acting skills are polished, and the actor delivers a better performance.
In feature films, I used to be the hero's friend, a regular character. In short films, I played the hero; I got roles where I could work on my character and performance. They made me aware of myself as an actor.
Motion capture is exactly what it says: it's physical moves, whereas performance capture is the entire performance - including your facial performance. If you're doing, say, martial arts for a video game, that is motion capture. This is basically another way of recording an actor's performance: audio, facial and physical.
Film is such a director's medium; you're really in their hands in terms of the real storytelling. As an actor, you can give a performance moment to moment and some of your takes will be used and some of them won't. I think there are great films you can make with bad performances, and vice versa. There are all combinations of those things. It's really down to the director what happens, I think, so that's why it's really good to work with very talented, bold directors.
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