A Quote by Manoj Bajpayee
When an artiste says that, after two heavy films, let me do a light one, somewhere they want to balance it out for the audience, not for themselves.
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I would say I was not working in the real sense in 'Paiyaa.' After doing very heavy scenes in my first two films, in 'Paiya,' I was romancing a girl, talking all sorts of funny things, and doing all light things just as if I were not acting!
If you told me thirty years ago that people would be parodying documentary films, I never would have believed it. It wasn't clear that the films themselves even had an audience, let alone an audience for parodies of them.
When I was making 'Marjaavan,' I was asked why are you making this dated film. But we have to offer films for all audience and not only class audience. As a studio I have to balance it out.
I test the movies a lot, and if the audience says they love the movie, we know we're on the right track. And if they tell me they hate it, I try to figure out what I've done wrong. But every time out, the audience wants me to go deeper, they want to know more about the characters, and they don't want these movies to be shallow. So they really urge me to tell them a complicated story, and then when I do so, they're thrilled
I will knock out Vernon Forrest in two rounds whether I have a cigarette or not. I know a lot of people want to see me fight more rounds. So, if HBO wants, they can pick two sparring partners for me to fight after I knock out Forrest. That way, the audience can see me fight 12 rounds.
I don't think majority of the audience associate Mohanlal with a creative, genius artiste; it's just that they see themselves in him.
Certain jobs [films] are for the business really, because they get an audience, they get a global audience. Certain jobs are as an artist. If I can keep moving forward and strike some form of balance between them two, then I'm going to feel content.
You don't want to get too far ahead of the audience and you don't want the audience to be ahead of you. So, that balance is difficult and it takes a lot of work and tuning in the edit, to get the right balance.
Dancers work and live from the inside. They drive themselves constantly producing a glow that lights not only themselves but audience after audience.
At least I want to be making films that are somehow born out of me that are stories I want to tell. The challenge is figuring out how to do it where you can make them personal, yet still deliver to an audience a film experience that is satisfying and emotional, and that's what I'm trying to do.
Somewhere, the audience relates to my characters and their vulnerability. I believe they see themselves in me.
Oh, somewhere in this favoured land the sun is shining bright; The band is playing somewhere; and somewhere hearts are light; And somewhere men are laughing; and little children shout; But there is no joy in Mudville- great Casey has struck out.
I personally enjoy theatre, but preferably I do films so that I can reach up to maximum audience. If you want to give a serious message, it will reach out to maximum people through films. But through theatre, you can hardly reach out to about 3,000 audience at a time.
Seven out of my nine films were hits. 80 per cent of the audience loves my films; the remaining 20 per may be right in their opinion, but that doesn't make me wrong. If I try too hard to woo them, I'd be cheating my core audience.
As an artiste, I take up roles where there is scope to perform and that can reach out to the audience.
I watch films, so I know what it is to be there in a theatre as the audience. So I always want to communicate with them when I make films, but that is not the only thing. I also want to say something which I feel deeply, and which I feel I can connect with the rest of the audience.
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