A Quote by Manoj Bajpayee

I have always believed that an actor cannot afford to have a favorite genre. He must excel in every kind of film and fit in with every director's vision. — © Manoj Bajpayee
I have always believed that an actor cannot afford to have a favorite genre. He must excel in every kind of film and fit in with every director's vision.
I always relish the idea of collaborating with the director on creating the sound world, the sound spectrum, and the sound environment of the film. I use every means at my disposal to create a score that is as strong and powerful to enhance the director's vision for the film.
The director is the only person on the set who has seen the film. Your job as a director is to show up every day and know where everything will fit into the film.
I have always believed that when a film is being made, it has to be the director's vision.
Having anything to do with a hit film is great. Even if you're a third assistant to the director or second to the editor, if the film does well, every technician, every actor benefits from it.
Every film for every actor is a make-or-break film. I believe every film has the power to break you or make you. So, an actor will treat every film like his last film. That's the way we need to work, and that's the way you can drum up that passion needed to do good work.
Every big-budget film is powered by a director's vision. I blindly follow the instructions of my director, believe in him, and deliver what he exactly wants from me.
Every director works differently but one thing's important: they must have a vision. If they don't have a vision I don't care how they work.
As an actor, you're always at the service of somebody else's vision. In a play, it's more of the director's vision, and he or she's got their hands on you all the way up to opening night, and if it's a film, there are even more people.
You can say something that can really help and actor and you can say something that can really get in the way of an actor's performance, kind of cut them off from their instincts and really get into their heads. And every actor's different. Every actor requires something different. Being an actor, for me, was the greatest training to be a writer and director.
Every film I've ever worked on, and that includes 'Braveheart' and 'Trainspotting,' I've always witnessed a director having a breakdown. Every director will have a day, without exception, where they just can't do it anymore, they don't know what to say to their cameraman, their cast. It's the sign of real, physical exhaustion.
I've learned from every director I've worked with. Everybody's style is very different, and I always say that being an actor is the best film school that I could ever go to.
If we have no faith in ourselves and in the kind of future we can create together, we are fit only to follow, not to lead. Let us remember that the Bible contains two proverbs we cannot afford to forget. The first is ""Man does not live by bread alone"" and the second is ""Where there is no vision, the people perish.""
If you have a vision or if you believe the director has a vision, then at least you've got something to talk about, something to try and head to and I think that's mandatory for every director to have to do a good job.
In the studio the director controls the actor's every move, every inflection, every expression.
As an actor, we can only do what the director wants. Only the director has a vision of the entire film.
A film is a director's vision... there is, however, much input an actor or actress can have.
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