A Quote by Manolo Blahnik

The only way I can cope with me and my environment is to have this kind of wall around me. I'm exhausting myself. — © Manolo Blahnik
The only way I can cope with me and my environment is to have this kind of wall around me. I'm exhausting myself.
I don't remember myself to be a forefront fighter, but when pushed to a point with a wall behind me, there is only one way forward. Later you can call it a Rambo syndrome, but I never regret it, as it comes naturally to me, and in my mind, that is the only way.
"Facilitate my thinking" means thinking about who I am as a human being in relation to the world around me. It's how I position myself, how I navigate through this world. That to me is thinking. It is also exhausting to constantly be making art that in some ways responds to the conditions of the world around you. I gave myself permission to turn all of that off, and to lose myself in work.
In 'Jonaki,' it isn't about the individual actor. The actor is as important as the wall, or the water flowing down the wall, or a shadow. That kind of acting is also fascinating to me, not to be invisible necessarily, but to be in perfect synchronicity with the environment.
I went through a lot in my life that scarred me pretty good. I built a wall around myself to the point where nobody knew what was really going on inside of me, including myself.
When I was a child and I was upset about something, my mother was not capable of containing that emotion, of letting me be upset but reassuring me, of just being with me in a calming way. She always got in a flap, so I not only had my own baby panics, fears and terrors to deal with, but I had to cope with hers, too. Eventually I taught myself to remain calm when I was panicked, in order not to upset her. In a way, she had managed to put me in charge of her. At 18 months old, I was doing the parenting.
I was so young when I got so famous, and then I kind of put up a wall around myself. I didn't really want to show people any fragilities or fears; I was trying to be this tough person that I felt was expected of me.
In hard-core science fiction in which characters are responding to a change in environment, caused by nature or the universe or technology, what readers want to see is how people cope, and so the character are present to cope, or fail to cope.
Is there a brick wall getting in your way? Fine. That happens. But you have a choice. You can walk away from the wall. You can go over the wall. You can go under the wall. You can go around the wall. You can also obliterate the wall. In other words, don't let anything get in your way. Get a balance, and then let the positive outdistance the negative.
People think the film industry is going to corrupt me, but I feel like it's kept me more innocent, in a way. I wasn't really home when my friends were trying pot for the first time. I was always around adults who wouldn't smoke or curse or do anything like that around me. I don't do things that are dangerous to myself. I don't want to hurt myself
For me, boxing was a way of me exercising my frustration, anger, sense of injustice, but also a way of owning my space and taking up space. Which I think as a woman in the art world is essential for surviving. You have to become comfortable going like, 'OK, I'm going to take this wall, this wall is mine, I'm going to put my work on this wall.'
Sometimes it seems to me that God 's way of dealing with me is not to let me see much of my friends, those who are most to me in the spiritual life, lest I should forget that the invisible bond is the only reality. That is the only way I can reconcile myself to the inevitable separations of life and death.
I learned a great deal about myself, and it forced me to be introspective in a way that I'm not typically, but "reporting" on my own life became emotionally exhausting.
I'm an off-the-charts introvert. To me, being around groups of strangers is exhausting. I've had to sort of train myself to think about two tactics: finding common ground and invoking humor.
I’ve built a wall around me, never letting anybody inside and trying not to venture outside myself
I think I probably am doing animation because I started as a kid and I learned on my own, and I worked by myself a lot. It's the only thing I really prepared myself to do in any kind of depth. And I've just kind of imbibed the technology and techniques and the thinking about telling stories this way. It just feels natural to me.
I understand if everyone looking at me is seeing a Jew and seeing me as a kind of 'other.' But I can't be expected to see myself that way. That is, to me, Jewish is the normal way to be; it's not a type of being.
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