A Quote by Manolo Blahnik
I'm a doodler. It was my first job as a boy, and I still do it. At night I keep a block of paper and a pencil with a huge piece of string next to me. When I have an idea, I grab the string and just doodle.
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Grab a guitar, put some kind of strings on it, a banjo string, then a violin string, then a guitar string, tune it any way you want, and make some noise, and see what you get. And work on it until you get something that you think is interesting. That's all there is to art for me.
Just like an ordinary guitar string, a fundamental string can vibrate in different modes. And it is these different modes of vibration of the string that are understood in string theory as being the different elementary particles.
The central idea of string theory is quite straightforward. If you examine any piece of matter ever more finely, at first you'll find molecules, atoms, sub-atomic particles. Probe the smaller particles, you'll find something else, a tiny vibrating filament of energy, a little tiny vibrating string.
It's great if you can afford to carry a string section on the road with you, but most people are used to the idea of just a keyboard player creating those string sounds.
The fact that I'm a fifth of Punch Brothers... that's lucky for me because I feel like I get to operate in the context of one of the great string bands. There's just not another string band I would rather be in, and i'm just compelled to make music for and with string bands. It's what I know, and it's kind of like who I am.
When I started competing, I was so broke that I had to tie my helmet with a piece of string. On one jump, the string snapped, and my helmet carried on farther than I did. I may have been the first ski jumper ever beaten by his gear.
I've always approached the game, going back to when I got drafted in 2012 to Denver, like I was going to be the starter. That's how you have to prepare, whether you are first string, second string or third string, because you never know when something is going to happen to the guy in front of you.
If I'm not in an environment where I can record, it's great to be able to write something down, to be able to know how to do that, to be able to write notation. You grab a piece of paper and there it is. It's the cheapest recording equipment you can buy: a piece of manuscript paper and a pencil!
If I were rich I would have many books, and I would pamper myself with bindings bright to the eye and soft to the touch, paper generously opaque, and type such as men designed when printing was very young. I would dress my gods in leather and gold, and burn candles of worship before them at night, and string their names like beads on a string.
The best theory comes from string theory, which states that dark matter is nothing but a higher vibration of the string. We are, in some sense, the lowest octave of a vibrating string.
For life is a fire burning along a piece of string--or is it a fuse to a powder keg which we call God?--and the string is what we don't know, our Ignorance, and the trail of ash, which, if a gust of wind does not come, keeps the structure of the string, is History, man's Knowledge, but it is dead, and when the fire has burned up all the string, then man's Knowledge will be equal to God's Knowledge and there won't be any fire, which is Life. Or if the string leads to a powder keg, then there will be a terrific blast of fire, and even the trail of ash will be blown completely away.
Someone once told me that children are like kites. You struggle just to get them in the air; they crash; you add a longer tail. Then they get caught in a tree; you climb up and bring them down, and untangle the string; you run to get them aloft again. Finally, the kite is airborne, and it flies higher and higher, as you let out more string, until it's so high in the sky, it looks like a bird. And if the string snaps, and you've done your job right, the kite will continue to soar in the wind, all by itself.
No one can ever take my job away from me. I can always draw as long as I have a piece of paper and a pencil or paints.
Some string theorists prefer to believe that string theory is too arcane to be understood by human beings, rather than consider the possibility that it might just be wrong.
Until film is just as easily accessible as a pen or pencil, then it's not completely an art form. In painting you can just pick up a piece of chalk, a stick or whatever. In sculpture you can get a rock. Writing you just need a pencil and paper.
I hope we find evidence of dark matter in the lab and in outer space. This would go a long way to proving the correctness of string theory, which is what I do for a living. That is my day job. So string theory is a potentially experimentally verifiable theory.
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