A Quote by Manolo Blahnik

About half my designs are controlled fantasy, 15 percent are total madness and the rest are bread-and-butter designs. — © Manolo Blahnik
About half my designs are controlled fantasy, 15 percent are total madness and the rest are bread-and-butter designs.
I'm intrigued by traditional Indian designs. They are so beautifully handcrafted, and the designs are so intricate and beautiful. I really prefer the Indian designs.
God's designs regarding you, and His methods of bringing about these designs, are infinitely wise.
If our designs are failing due to the constant rain of changing requirements, it is our designs that are at fault. We must somehow find a way to make our designs resilient to such changes and protect them from rotting.
Some of the fantasy objects arising from cybernetic totalism (like the noosphere, which is a supposed global brain formed by the sum of all the human brains connected through the internet) happen to motivate infelicitous technological designs. For instance, designs that celebrate the noosphere tend to energize the inner troll, or bad actor, within humans.
What I love about Tadashi is that he isn't a designer that designs only for a double-zero. He designs for double-Ds, you know? Women of all shapes and sizes can wear him.
My personality resembles my designs to a large extent. I'm in sync with myself and I'm transparent, just like my designs.
Each person designs his own life, freedom gives him the power to carry out his own designs, and power gives the freedom to interfere with the designs of others.
The great proof of madness is the disproportion of one's designs to one's means.
I love our Polynesian designs, whether or not it is coming from Samoa, as I have some of my designs coming from, or right from home in O'ahu.
And thus the community perpetually retains a supreme power of saving themselves from the attempts and designs of anybody, even of their legislators, whenever they shall be so foolish, or so wicked, as to lay and carry on designs against the liberties and properties of the subject.
Now, before sliced bread was invented in the 1910s I wonder what they said? Like the greatest invention since the telegraph or something. But... the thing about the invention of sliced bread is this - that for the first 15 years after sliced bread was available no one bought it; no one knew about it; it was a complete and total failure.
I have designs I like applied to my helmet, motorcycle, riding suits, gloves,and boots. I have a designer friend of mine put the designs on them for me. I think a livery on the helmet is significant in expressing a rider's personality.
In the end, it's clear that the incorporation of synthetic biology in product and architectural design will enable the transition from designs that are inspired by nature to designs made with and by nature to, possibly, designing nature herself.
He who designs an unsafe structure or an inoperative machine is a bad Engineer; he who designs them so that they are safe and operative, but needlessly expensive, is a poor Engineer, and … he who does the best work at the lowest cost sooner or later stands at the top of his profession.
The paradox is that when we model future designs on past successes, we are inviting failure down the line; when we take into account past failures and anticipate potential new ways in which failure can occur, we are more likely to produce successful designs.
The very first pieces of film that I did were really graphic designs translated to film. Graphic designs that moved. That was a very new notion.
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