A Quote by Manu Chao

Every time I met any of my heroes I was disappointed - the exception was Joe Strummer, who was like an uncle to me. — © Manu Chao
Every time I met any of my heroes I was disappointed - the exception was Joe Strummer, who was like an uncle to me.
Given a choice between Charlie Mingus and Eric Dolphy or Joe Strummer and Lou Reed, there was no choice. I like Reed and Strummer, but it's kiddie music.
My uncle Claude was my favorite uncle he was also my godfather. He and I were really, really close. He used to take me to see cowboy movies all the time when I was a little boy because I loved cowboy movies. He got a cowboy name for me, which was Smokey Joe. So from the time I was three years old if people asked me what my name was I didn't tell them my name was William, I told them my name was Smokey Joe.
Joe Sample was one of my heroes. I met him at the Curacao Jazz festival, and I fanned out like he was the Beatles!
People often give Biden a pass for inaccurate and misleading statements - writing them off as nothing more than Crazy Uncle Joe being Crazy Uncle Joe.
I got to watch my heroes meet him and saw how they reacted, whether it was Joe Strummer or Tom Waits. It was peculiar. I'm so stoked to meet Tom Waits, and he's so nervous to meet my dad. It's a head spin.
If you look at someone like Joe Strummer or John Lennon, when you heard their music you knew that they wrote it and they cared about it.
Joe Strummer, Johnny Rotten, and Ian MacKaye were all people who really made me see things differently.
I never have met any heroes - except one. The exception is Ian Anderson, flute player extraordinaire, creative musical talent for more than 40 years, and the man most associated with the band Jethro Tull.
I remember [Joe] Lovano came around to me at that time [of Monk competition]. And I had taken some lessons with Joe and I had seen Joe on the scene. He had always been so great to me, such and inspiration and so kind. One lesson that I had with Joe was just amazing. I'm just such a fan and an admirer of his on every level. He was like, "Don't worry... you're just out here. You just do what you're doing. Don't worry if it doesn't make you a household name or anything."
I've interviewed everyone from Joe Strummer to Iggy Pop.
I've tended to avoid meeting my heroes. They aren't necessarily the nicest people anyway. The exception was George Harrison, one of the loveliest men I've ever met. He lent me his home studio to make Hormonally Yours.
I knew Joe Strummer back in the days before he formed the Clash.
Everybody laughed at me when I said I wanted to make a dance video, but when I said, 'What would it look like if Joe Strummer made a dance video?' everybody shut up.
I love English rock music the best and have always been fascinated by The Clash, especially Joe Strummer, their singer.
Each movie I make has its own heroes, and the two heroes for me in 'Arrival' are Amy Adams and Joe Walker, the editor. We worked very, very hard, and it was, by far, the longest editing process.
I don't know whether I'm misanthropic. It seems to me I'm constantly disappointed. I'm very easily disappointed. Disappointed in the things that people do; disappointed in the things that people construct. I want things to be better all the time.
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