A Quote by Manu Ginobili

I think Wade is more explosive than I am. He is very tough to cover with his explosiveness, but I started doing the Euro-Step before he did. — © Manu Ginobili
I think Wade is more explosive than I am. He is very tough to cover with his explosiveness, but I started doing the Euro-Step before he did.
I think there's a little bit of idiot in everybody and I think some people cover it better than others but I think I am very much a guy who wears his heart on his sleeve.
Of course I am tough, but I am smart, too. I'm more smart than tough. People watching my record and say that this guy is tough. This is not about tough; this is about mind. You think when you fight. This is about everything.
I don't think there's anything less attractive than a man over-dyeing things on his face, so I'm going to try, for as long as I can, to age as my male forefathers before me. My father started getting grays when he was in his 30s, as did my grandfather before him, so I don't want to look perpetually young.
Acting tough is all about developing an attitude and a persona that says, 'Look at how great I am.' But often, that tough exterior is meant to hide self-doubt. Mentally strong people invest more energy into working on their weaknesses rather than trying to cover them up.
I've never considered soundtracks for what I write. Nor have I considered computer drawing or painting. As a painter, I'm still trying to perfect what I started out doing with brushes, pen and ink, paint, etc. The transition, for me, from typewriter to computer was a big step. I am now very comfortable with writing on a computer but it took awhile. Because I did make that big step I won't rule out what happens in the future.
I think one of the things that started to hinder Baldwin as an artist later on was that he became really aware of power, so he wanted it, too. But if you look at the work before that, before 'The Fire Next Time' put him on the cover of 'Time Magazine,' it was much more intimate and a much more internal conversation.
Red House Painters were doing cover songs before our first record deal. I remember live shows where we did an AC/DC song; I think we did 'Send In The Clowns' by Judy Collins. We did 'The Star Spangled Banner,' which came out on our third record.
Germans tend to forget now that the euro was largely a Franco-German creation. No country has benefited more from the euro than Germany, both politically and economically. Therefore what has happened as a result of the introduction of the euro is largely Germany's its responsibility.
The euro will raise the citizens' awareness of their belonging to one Europe more than any other integration step to date.
I started out doing improvised voices when I started working in a program where I read for kids in schools. I had some kids and they asked me if I would mind doing it. I was very happy to do it. That's where I got my training before I went to the public. I did that for several years. It was actually the best vocal training I could have had.
I started out doing improvised voices when I started working in a program where I read for kids in schools. I had some kids and they asked me if I would mind doing it. I was very happy to do it. Thats where I got my training before I went to the public. I did that for several years. It was actually the best vocal training I could have had.
I in fact started doing theatre before a lot of film people started doing it and I started my website before anybody else.
When people say, 'How did you start in comedy,' I say my family was kidnapped by ninjas when I was very young, and to get them released I had to do a killer five-minute set. And even after I did that, you know, I started doing comedy under tough circumstances, I still kept at it because I enjoyed it.
I think [Otto Porter Junior] just took a couple tough shots so far - a couple tough jump shots - but I think he has a great mid-range game, he's very tall and can create his shot. So, I think with more spacing he'll get easier shots, I think he'll be fine.
I work very hard on motivating everything I do as an actor. Explosive moments have to be completely motivated; whether they're explosive comedy or explosive horror, they have to come organically out of a scene and an interaction with another actor.
Getting sober just exploded my life. Now I have a much clearer sense of myself and what I can and can't do. I am more successful than I have ever been. I feel very positive where I never did before, and I think that's all a direct result of getting sober.
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