A Quote by Manu Ginobili
I learned from many players over the years.
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A career is measured over the course of the years, not moments. Over good decisions, over successes, not moments, failures, missteps, or bad comments. I learned that I needed to take a step back and look at my career not in that one moment that made me feel really bad, but what I had done not even in the past one or two years or last one or two hires, but that that career is built over many, many, many, many successive quarters and years and good decisions - never, ever made in that one moment where you felt really bad.
We pick players on their profiles. Over the years, I've learned that, if you have one cog that's not quite right in the system, that flow of how you want to play can't work.
One of the things I've learned over the years is that you only do what you can do as an actor. You do the best job you can, but you have no control over so many elements that are going to determine the outcome of that film. I never pay attention to what happens after.
Most young talented players I worked with over many, many years who I've met later have said, 'Oh, I wish I'd listened to you.' When you meet them later in life they regret not taking the opportunity with the talent they had.
There have been so many great players that I've played with, that I've played against over the years.
When I was a little kid wanting to play music, it was because of people like Pete Johnson, Huey Smith, Allen Toussaint, Professor Longhair, James Booker, Art Neville ... there was so many piano players I loved in New Orleans. Then there was guys from out of town that would come cut there a lot. There was so many great bebop piano players, so many great jazz piano players, so many great Latin piano players, so many great blues piano players. Some of those Afro-Cuban bands had some killer piano players. There was so many different things going on musically, and it was all of interest to me.
I had lots of posters on my bedroom wall of players like Zico, many Brazilian and Italian players, not many players in particular but I loved football so much and I especially loved skilful players.
I have learned over the course of my many years that it is a bad idea, usually, to investigate piteous weeping but always a fine thing to look into a giggle.
I'm especially thankful for being able to coach so many talented young men over my 18 years here. It has been so rewarding to see these players come to OU and mature over a four- or five-year career, and not just on the field. To play a small part in their growth is what I will always cherish the most.
But I'm confident that my work — and the work of my staff — with our many young players over the last two years will begin to pay off for Mr. Taylor and Timberwolves fans. Now, as important new players are added to the mix, the future of this franchise should be a bright one, and I am thankful for the chance I had, to play a part in shaping that future.
This - where we are now - is where a culture gets to, when it has chosen, for many years, banality over intelligence, the literal over the immaterial or complex, materialism over spirituality. This is the result of many years of disrespecting the intellectual project - of a collective acceptance of the idea that thinking and reasoning and reading deeply in difficult text and being respectful of history are somehow "wimpy" or secondary.
I've learned a lot from trainers over the years, but mainly that you need discipline to stay in the gym and out of the many fine cupcake emporiums on every corner.
I had over twenty years ago damaged the cilia in my ears. This has taught me many things. One thing I learned, paradoxically, is that there is much to be heard in silence.
Many of the people I've worked with over the years came from a sketch-comedy background or an improv background, and I've learned a lot from them.
Everything is so much more stacked than it was even five or 10 years ago. There are so many more good players, so many solid players. The level doesn't really drop from around 100-500. It's really tough to make it, but I just have to work as hard as possible.
You hear all the time about European players playing the game. These players that come over at 17, 18 and 19, they just don't all of a sudden become skilled. From the time they were little fellas, they learned the fundamentals of the game. Let them create.
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