A Quote by Manuel de Falla

The [guitar is the] instrument most complete and richest in its harmonic and polyphonic possibilities. — © Manuel de Falla
The [guitar is the] instrument most complete and richest in its harmonic and polyphonic possibilities.
My voice is my improvisational instrument, the melody instrument. The guitar is harmonic structure. I'm not a good enough guitarist to improvise on it.
The cult of the instrument is O.K. for people who are mad about the guitar. But I love music. The guitar is just the instrument I happen to play.
I was pillaging a lot of music that had nothing to do with guitar playing, using a lot of strange tunings and voicings and chord structures that aren't really that natural to the guitar; I ended up developing a harmonic palette that's not particularly natural to the guitar because I was always trying to make my guitar sound like something else.
The guitar is such an incredible instrument; it plays classical, flamenco, jazz, country, bluegrass, rock, acid, blues. You'll never see a clarinet playing Black Sabbath. But you will see a guitar in a clarinet band playing rhythm. It is the most popular instrument in the world; it is the one everybody loves.
Polyphonic prose is a kind of free verse, except that it is still freer. Polyphonic makes full use of cadence, rime, alliteration, assonance.
Guitar was just a hobby, but it seemed to me that the instrument had possibilities, not least of which was that there was no one else playing it. I could be, as it were, the best boy in an all-girls school.
For me, I think the only danger is being too much in love with guitar playing. The MUSIC is the most important thing, and the guitar is only the instrument.
If you have a great-sounding guitar that's a quality instrument and a good amp, and you know how to make the guitar talk, that's the key. It starts with the guitar and knowing what it should sound and feel like.
The guitar is a small orchestra. It is polyphonic. Every string is a different color, a different voice.
The use of electronics is a natural extension of the instrument - it is an electric guitar. So we guitarists have been plugging into something since 1931, and we are not about to stop now. Current advances in technology means we can have a huge array of sounds at our fingertips, and this offers amazing possibilities to the contemporary composer. It is always a guitar (I don't play synthesizer) but it becomes something else all together - more like sculpting sound in real time using metal wires, 5 fingers and a pick.
Basically, I try to treat the electric guitar like an acoustic guitar. What you have to do is attack the instrument and know that your feelings aren't controlled by the controls of your guitar.
I spend a lot of time copying saxophone players and trumpet players. Not to say that it is not important to listen to guitar players, but there's so much music out there and so many possibilities. I like anyone who plays any instrument.
The piano is really the featured instrument of a 10-piece chamber orchestra. The construction is the harmonic language.
The guitar has become a textural instrument rather than a lead instrument. And I think that's probably a good thing.
In the piano, one has the instrument complete before he begins; but in the case of the voice, the instrument has to be developed by study.
Besides being a guitar player, I'm a big fan of the guitar. I love that damn instrument.
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