A Quote by Manuel Neuer
The goalkeeper always starts again at nil, even when you're 2-0 down. It always starts again at scratch. It's a completely mental thing, and I keep reminding myself of it during matches.
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When you're in the editing room, the dangerous thing is that it becomes like telling a joke again and again and again. Eventually, the joke starts to not be funny. So you have to be careful that you're not throwing the baby out with the bath water.
When you have a lot of hits and your career starts to go down, but then your music starts to slowly go up again.
I revise constantly, as I go along and then again after I've finished a first draft. Few of my novels contain a single sentence that closely resembles the sentence I first set down. I just find that I have to keep zapping and zapping the English language until it starts to behave in some way that vaguely matches my intentions.
Hitoshi: I'll never be able to be here again. As the minutes slide by, I move on. The flow of time is something I cannot stop. I haven't a choice. I go. One caravan has stopped, another starts up. There are people I've yet to meet, others I'll never see again. People who are gone before you know it, people who are just passing through. Even as we exchange hellos, they seem to grow transparent. I must keep living with the flowing river before my eyes. I earnestly pray that a trace of my girl-child self will always be with you. For waving good-bye, I thank you.
Until a book starts forming in your head, you always wonder, 'Am I going to be able to do this again?'
The tough thing about adulthood is it starts before you even know it starts.
When Donald Trump is in trouble, he starts yelling, he starts screaming. He starts insulting. He starts cursing.
The rewriting is always crucial to what I do; whenever I do a scene, I always tell myself that this isn't final and that I can do it again, better. The pacing is probably from experience. I've always liked gradual disclosure. I keep thinking of my rubber-band theory. You have a rubber band that you keep pulling and pulling and pulling, and just at the moment of snapping you release it and start another chapter and start pulling again.
[Success] always starts with the material; it always starts with the truth and honesty of the characters that you read in the screenplay and that's rarely something that can be remedied if it's simply not there by the time you shoot the film. Thank God we had that.
Today is a new day. You will get out of it just what you put into it...If you have made mistakes, even serious mistakes, there is always another chance for you. And supposing you have tried and failed again and again, you may have a fresh start any moment you choose, for this thing that we call failure is not the falling down, but the staying down.
I have always promised myself and my wife that when I don't enjoy it anymore, or I can't handle the stress and the pressure that comes with having such a high-profile and top job - or my energy levels starts to fail me, or my enthusiasm starts to be dented - I won't prolong my career longer than I feel I should.
The one thing I learned is not to say anything about my own paintings. Keep my mouth shut. You'll never stop hearing what you said. It will come back to you again and again, people will always tell you about it. Even if you were the source of what's wrong with it.
You know what the best thing is about the end of the day? Tomorrow, it starts all over again.
I make movies for grownups. When Hollywood starts making them again, I'll start acting in them again.
The cool thing about comic books and prose is that if a reader gets confused on page 8, they can backtrack. With films, you sit down in a seat and once the projector starts going you're stuck for the next two hours. There are no do-overs, rewinding or starting again.
I'm not that type of musician where I can sit down at the piano and work out a song; I actually really enjoy that process of sitting with somebody and having nothing and then suddenly something starts appearing. You struggle with it, and then suddenly a song starts to appear. Then, you've got to try and muscle it - there's that word again - into something and you do. You tussle with it and play with it and roll around with it and suddenly, magically, something appears.
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