A Quote by Manuel Puig

I have written every one of my novels to convince somebody of something. — © Manuel Puig
I have written every one of my novels to convince somebody of something.
Novels with a "thesis" don't interest me. They just don't - novels that want to "show" something, that want to "argue" something specific. I don't read novels that are looking to convince me of anything.
The thing is to convince people that a part not written for a Latina woman - or maybe not even written for a woman at all - is a female part. You convince them you can do it.
Good novels are not written by orthodoxy-sniffers, nor by people who are conscience-stricken about their own unorthodoxy. Good novels are written by people who are not frightened.
Applause is interesting, but I'm a monster with or without it. Something is either well written or it isn't. 'White Rabbit' is not well written, and no amount of applause or royalties can convince me it is. I could have done a better job with those lyrics. They didn't say what I wanted.
I'm supposed to convince you, for two hours, that I'm somebody else. Now if you know everything about my life, if you think you've got me figured out and you think you know all my dark secrets, how am I ever going to convince you that I'm somebody else?
Good novels are not written, they are rewritten. Great novels are diamonds mined from layered rewrites.
Writing short stories was kind of like I was cheating the whole time, in some way. I went back and forth between writing the novels and sort of sneaking out to work on stories occasionally. These stories were written over the last 10 years or so, as I was taking breaks from the novels I've written.
Total oblivion is the fate of almost everything in this world. I'm very likely to suffer that same fate; my work will probably not be remembered, and if any of it is, if any of those novels is fated to be one of those novels that is still being read 50 or 100 years after it was written, I've probably already written it.
Good novels are not written by orthodoxy-sniffers, nor by people who are conscience-stricken about their own orthodoxy. Good novels are written by people who are not frightened.
That's precisely what we do as actors: try to convince the audience we are somebody else. And if you can do that, you are really doing something.
Interestingly enough, there is a really different dynamic when you're directing something that somebody else has written compared to when you're directing something that you've written. And there's a good and a bad side to it. I think the bad side is that you never feel the same level of connection to the material - you just don't.
There's novel reading, and then there's the other kind of reading. Take somebody like Carl Jung, the psychiatrist - now there's somebody worth getting into. With novels, I'm kind of fly by night. It isn't something I can be really consistent with.
I've... learned that it's a hell of a lot easier to just build something than to try to convince somebody who doesn't believe it's possible.
Writing is my number one passion. I've written two novels. I've written a screenplay. I also write short stories and poetry.
I've tried to convince members of my party that we should not allow the hair on the backs of our necks to bristle every time somebody mentions renewable energy.
I've written something like 17 novels, which isn't bad, I suppose, but my father wrote 120 books, my mother 40. In comparison, I'm lazy.
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