A Quote by Mao Zedong

Swlmmlng After swallowing some water at Changsha I taste a Wuchang fish in the surf and swim across the Yangtze River that winds ten thousand li. I see the entire Chu sky. Wind batters me, waves hit me-I don't care. Better than walking lazily in the patio. Today I have a lot of time. Here on the river the Master said "Dying-dying into the past-is like a river flowing."
The universe is like a river. The river keeps on flowing. It doesn't care whether you are happy or sad, good or bad; it just keeps flowing. Some people go down to the river and they cry. Some people go down to the river and they are happy, but the river doesn't care; it just keeps flowing. We can use it and enjoy it, or we can jump in and drown. The river just keeps flowing because it is impersonal, and so it is with the universe. The universe that we live in can support us or destroy us. It's our interpretation and use of the laws that determine our effects or results.
The many-voiced song of the river echoed softly. Siddhartha looked into the river and saw many pictures in the flowing water. The river's voice was sorrowful. It sang with yearning and sadness, flowing towards its goal ... Siddhartha was now listening intently...to this song of a thousand voices ... then the great song of a thousand voices consisted of one word: Om - Perfection ... From that hour Siddhartha ceased to fight against his destiny.
Don't swim against the current. Stay in the river, become the river; and the river is already going to the sea. This is the great teaching.
Every day we're given a choice: We can relax and float in the direction that the water flows, or we can swim hard against it. If we go with the river, the energy of a thousand mountain streams will be with us . . . if we resist the river, we will feel rankled and tired as we tread water, stuck in the same place.
Faith does not need to push the river because faith is able to trust that there is a river. The river is flowing. We are in it.
I have transported many, thousands; and to all of them, my river has been nothing but an obstacle on their travels. They travelled to seek money and business, and for weddings, and on pilgrimages, and the river was obstructing their path, and the ferryman's job was to get them quickly across that obstacle. But for some among thousands, a few, four or five, the river has stopped being an obstacle, they have heard its voice, they have listened to it, and the river has become sacred to them, as it has become sacred to me.
I have never seen a river that I could not love. Moving water... has a fascinating vitality. It has power and grace and associations. It has a thousand colors and a thousand shapes, yet it follows laws so definite that the tiniest streamlet is an exact replica of a great river.
To me, music is a river. I have lived my life beside the river. Every day, I get up and look at the river. I watch it and notice when it rises and falls.
Even now, as I write this, I can still feel that tightness. And I want you to feel it--the wind coming off the river, the waves, the silence, the wooded frontier. You're at the bow of a boat on the Rainy River. You're twenty-one years old, you're scared, and there's a hard squeezing pressure in your chest. What would you do? Would you jump? Would you feel pity for yourself? Would you think about your family and your childhood and your dreams and all you're leaving behind? Would it hurt? Would it feel like dying? Would you cry, as I did?
The river of my title is a river of DNA, a river of information, not a river of bones and tissues
"The River" [song] is also, yes, very metaphorical. Rivers are cleansing. As long as human beings have been on the Earth we've used rivers to cleanse ourselves. And, for me, the lyrics "something in the river," I think is - well, the river is a metaphor for where I was at the time.
All I did was sit on the riverbank handing out river water. After I'm gone, I trust you will notice the river.
The Long March The Red Army is not afraid of hardship on the march, the long march. Ten thousand waters and a thousand mountains are nothing. The Five Sierras meander like small waves, the summits of Wumeng pour on the plain like balls of clay. Cliffs under clouds are warm and washed below by the River Gold Sand. Iron chains are cold, reaching over the Tatu River. The far snows of Minshan only make us happy and when the army pushes through, we all laugh. October 1935
WE DASH THE BLACK RIVER, ITS flats smooth as stone. Not a ship, not a dinghy, not one cry of white. The water lies broken, cracked from the wind. This great estuary is wide, endless. The river is brackish, blue with the cold. It passes beneath us blurring. The sea birds hang above it, they wheel, disappear. We flash the wide river, a dream of the past. The deeps fall behind, the bottom is paling the surface, we rush by the shallows, boats beached for winter, desolate piers. And on wings like the gulls, soar up, turn, look back.
Ask Me Some time when the river is ice ask me mistakes I have made. Ask me whether what I have done is my life. Others have come in their slow way into my thought, and some have tried to help or to hurt: ask me what difference their strongest love or hate has made. I will listen to what you say. You and I can turn and look at the silent river and wait. We know the current is there, hidden; and there are comings and goings from miles away that hold the stillness exactly before us. What the river says, that is what I say.
Your heart is like a great river after a long spell of rain, spilling over its banks. All signposts that once stood on the ground are gone, inundated and carried away by that rush of water. And still the rain beats down on the surface of the river. Every time you see a flood like that on the news you tell yourself: That’s it. That’s my heart.
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