A Quote by Mara Brock Akil

With directing, it's all out there, in the moment and in real-time. The pressure and all of the eyes are on you, and you've gotta do it. That is the place that made me nervous. — © Mara Brock Akil
With directing, it's all out there, in the moment and in real-time. The pressure and all of the eyes are on you, and you've gotta do it. That is the place that made me nervous.
I was just so nervous every time I was onstage. It took me many, many years to get to the point where I realized, 'All right, if I'm going to keep doing this, I've gotta remember that it's supposed to be fun. I've gotta stop putting so much pressure on myself, because otherwise, it's not worth it.' And I still am too critical of myself.
Much of directing [a movie] is not directing but just listening and being present in the moment and just keeping your eyes open.
When my eyes meet his gaze as we're sitting here staring at each other, time stops. Those eyes are piercing mine, and I can swear at this moment he senses the real me. The one without the attitude, without the facade[...]
I've been lying to you guys for a long time, saying I wasn't nervous and there's no pressure. There was a lot of pressure to do it here.
She'd always believed that people come in two varieties: those who look out the windshield and those who stare in the rearview mirror. She'd always been the windshield type: gotta focus on the future, not the past, because that's the only part that's still up for grabs. Mom throws me out? Gotta get some food and find a place to live. Husband dies? Gotta keep working, or I'll end up going crazy. Got some guy stalking me? Gotta figure out a way to stop it.
I was never nervous directing. Not once. I'm more nervous acting. I'm far more nervous on set, before I say my lines, than I ever have been, as a director.
There was always a lot of pressure - I fought on Channel 5 in my first fight and got two million views - but luckily I'm the kind of person who thrives under pressure. I use it to fuel my performances and training, knowing that all eyes are on me and that there's a lot to live up to. It made me harder, tougher and more determined.
You can never not feel like that, as a working artist these days. It's funny - time off makes me nervous, but so does time on. At least the pressure wasn't coming from outside.
Every moment is as real as every other. Every 'now,' when you say, 'This is the real moment,' is as real as every other 'now' - and therefore all the moments are just out there. Just as every location in space is out there, I think every moment in time is out there, too.
Like: 'Don't walk out there with one hand in your pocket unless there's somethin' in there you're going to bring out.' You gotta commit. You've gotta go out there and improvise and you've gotta be completely unafraid to die. You've got to be able to take a chance to die. And you have to die lots. You have to die all the time.
All my records feel like a diary of the time and headspace they were made in and 'Black Sands' documents this in real time for me. A transition of falling in love with beatmaking again. An appreciation of a place and time and an anticipation for what was going to happen next.
Listen, when I was real young, I thought I was made out of steel. I didn't think anything could hurt me, I was so powerful. But as time goes on, you find out you are not made of steel.
But the point is, now, at this moment, or any moment, we're only cross-sections of our real selves. What we really are is the whole stretch of ourselves, all our time, and when we come to the end of this life, all those selves, all our time, will be us - the real you, the real me. And then perhaps we'll find ourselves in another time, which is only another kind of dream.
I perform better under pressure. If I go out there, and I'm not nervous, and I'm too relaxed, I don't like that vibe. I like big matches. I like pressure situations.
I'm not saying there's no pressure at Evergrande, there's pressure at Evergrande all the time. But I am myself and, no matter if I'm playing for Real Madrid or at the World Cup, I've never felt pressure.
Lighting that torch in Atlanta didn't make me nervous. Standing up to the government - that made me nervous.
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