A Quote by Mara Brock Akil

I've kinda been an off-Broadway sensation. There aren't a lot of lights or big marquees around my name or my work, yet my core audience knows exactly where I am. — © Mara Brock Akil
I've kinda been an off-Broadway sensation. There aren't a lot of lights or big marquees around my name or my work, yet my core audience knows exactly where I am.
I wanted to be a therapist if the acting didn't work. I also did a lot waitressing and odd jobs. I'd audition but couldn't get hired to save my life. I'd do Off-Broadway theatre and that was great and I was excited and thrilled, feeling like, 'Well, it's Off-Broadway, but there's still the Broadway in there.'
And I don't consider Broadway the acropolis of theatrical art. I mean Broadway is commercial - that's what it is. It's expensive seats and a lot of them that have to be filled every night. Off-Broadway and off-off Broadway as far as I'm concerned is in New York the pride of New York theater.
And I don't consider Broadway the acropolis of theatrical art. I mean Broadway is commercial - that's what it is. It's expensive seats and a lot of them that have to be filled every night. Off-Broadway and Off-Off Broadway, as far as I'm concerned, is in New York the pride of New York theater.
If you don't go to Broadway, you're a fool. On Broadway, off Broadway, above Broadway, below Broadway, go! Don't tell me there isn't something wonderful playing. If I'm home in New York at night, I'm either at a Broadway or an Off Broadway show. We're in the theater capital of the world, and if you don't get it, you're an idiot.
I've been in this business 25 years. I've been eking out a living doing Broadway, off-Broadway... I've seen the unemployment line a lot.
People see a lot of huge stuff on Broadway, but there's always Off-Broadway energy and also shows that you can work in.
The biggest audience for Off Broadway is mostly coming in on a train - either Upper East Siders or Metro-North. I go to the theater, and everyone around me is over 50. How interested will they be in my kind of work?
I started in theatre when I was 13 or 14 years old and did a lot of theatre until my early thirties. Off-Broadway stuff - off-off-off-off-Broadway stuff - and I do love it.
One of my big passions in the offseason, or just when I get time off in general, is playing music, and I've been fortunate to be around people who are a lot more talented than I am.
Everyone kinda knows me as David and Victoria Beckham's son, and it doesn't, like, annoy me; I just kinda wanna make my own name for myself.
I don't need my name in lights I'm famous in my Father's eyes Make no mistake He knows my name.
When you're young and starting out, a lot of artists think they know exactly who they are. There are others who come out in someone else's skin. They learn to take it off bit-by-bit and work out the core of what they're trying to say.
I had a lot of success in big tournaments as well - won Masters Series in Rome - so a lot of things are coming together. I've done a lot of hard work in the off-season. A lot of physical work, a lot of work on my serve and on my return game.
I certainly wanted my name in lights. I wanted my name on a marquee. I wanted recognition on Broadway.
There's a strange sensation - you recall it from childhood - about sleeping in the afternoon. You rise into a different world from the one in which you lay down. The shadows have been rearranged. There's a sensation of sad sweetness, as if something has been overlooked. I used to feel it coming out of the movies just before dinnertime, after the matinee. How, I wondered, did Broadway actors face it, this bittersweet sense of time's slipping past.
There are many things, as an actor, where you find that a production just wants you for your name. I am not a big, big, big name, but maybe they can sell the movie if I am in it. This I don't like.
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