A Quote by Mara Wilson
People seem to forget what it was like to be a child. I think it's partly because they want to forget, because it usually wasn't as good as you thought it was, and so you want to skip over those things, and not have to relate to that anymore.
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I think people read the tabloids because they want to see you eating a burger, or out of your makeup or doing something stupid because they just want to see that you're like everyone else. And that's okay. I don't want to catch myself anymore saying that my life is hard, because the good far outweighs the bad in my life. And it's easier to focus on those things, on the things that are important.
Just remember that the things you put into your head are there forever, he said. You might want to think about that. You forget some things, dont you? Yes. You forget what you want to remember and you remember what you want to forget.
We forget all too soon the things we thought we could never forget. We forget the loves and the betrayals alike, forget what we whispered and what we screamed, forget who we were.
Whether they're ghosts of great writers or people I loved - some died because of AIDS, others under mysterious circumstances - I don't want to forget these people, ever. That's very much a part of my still being alive - to remember those who aren't here anymore.
Forget the image, forget the ensemble, forget the rumours, forget the short skirts, the big hair, whatever! I owe this to the fans and I will never forget you so I want to accept this award on behalf of all of you.
For one thing, before the 20th century, there were plenty of genocides. We tend to forget about them, partly because they weren't as well documented and partly because, until recently, people didn't care. We used euphemisms like 'sackings' and 'sieges' instead of calling them 'genocides.'
Good writing is remembering detail. Most people want to forget. Don't forget things that were painful or embarrassing or silly. Turn them into a story that tells the truth.
Now I just have these reddish scars there. I guess I always will, although Goody says they’ll fade over time. I don’t know if I want them to fade. That probably sounds totally freaky, but part of me doesn’t want to forget what it felt like, even though it hurt. If I forget about the pain, I might also forget that it was a really stupid idea to do it in the first place.
If you want to be a writer, you have to write every day... You don't go to a well once but daily. You don't skip a child's breakfast or forget to wake up in the morning.
There is always the risk: something is good and good and good and good, and then all at once it gets awkward. All at once, she sees you looking at her, and then she doesn't want to joke around with you anymore, because she doesn't want to seem flirty, because she doesn't want you to think she likes you. It's such a disaster, whenever, in the course of human relationships, someone begins to chisel away at the wall of separation between friendship and kissing.
Sometimes I think the most difficult moments in life were actually good because they made me strong. I was a child labourer. From this, I learned to stand on my own feet. So I don't want to forget the difficulty of my life.
The reason I write is because I have questions. What I don't want is for people to forget that I'm a novelist and think I'm a sociologist or something. I don't want to feel trapped into a corner where I don't belong.
Don't forget, a lot of people want that to happen because they make a lot of money by taking money out of this country. Those deals [like NAFTA] are very good for a lot of people.
I would like to use this little flower as a metaphor. The five petals of the little forget-me-not flower prompt me to consider five things we would be wise never to forget....first, forget not to be patient with yourself...second, forget not the difference between a good sacrifice and a foolish sacrifice...third, forget not to be happy now...fourth, forget not the why of the gospel...fifth, forget not that the Lord loves you.
Sometimes I forget what I put in. I want to capture things in that way, where you're looking into your memory, a dream or hallucination. The characters become a mixture of archetypes, [and] that's what I like. You're trying to figure it out and your brain wants to categorize things, but it can't because of this motion. You want to solve the problem, but it never gets solved. It's like when you read a really good book and the story never leaves you.
And since we don’t just forget things because they don’t matter but also forget things because they matter too much because each of us remembers and forgets in a pattern whose labyrinthine windings are an identification mark no less distinctive than a fingerprintit’s no wonder that the shards of reality one person will cherish as a biography can seem to someone else who, say, happened to have eaten some ten thousand dinners at the very same kitchen table, to be a willful excursion into mythomania
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