A Quote by Mara Wilson

I've always really loved stories told from the point of view of children. — © Mara Wilson
I've always really loved stories told from the point of view of children.
If you want the film [La La Land ] to represent all things jazz, it does not. You'll be disappointed by that. But, if you just see it as one guy's point of view, one filmmaker's point of view, and one story among many stories that can be told about jazz, then it's not as much of an issue.
I think there's so many points of view that you want to make sure your stories are being told from men and women... you get all of the different backgrounds. You don't want every story being told from the same point of view. So just for better storytelling, I'm like, 'Yes, please, bring some more ladies on.'
For 'A.D.,' when I got the script, I was really moved, because even though it told a story that I knew all my life, it was told in a different way. It was told from a very personal point of view.
Three of my novels and a good number of my short stories are told from the point of view of men. I was brought up in a house of women.
Our reporters do not cover stories from their point of view. They are presenting them from nobodys point of view.
I've always been a big proponent of point of view in cinema. Not necessarily that the point of view has to be subjective, but that in all great films the point of view has been taken into account and established.
That's always stuck with me, with music. I've never really gotten jaded about it. I've always loved music for the sake of doing it, and the longer I do it, the more I like it. Hopefully, I'll be able to have that same point of view in this business, or at least with doing this.
Taking the child's point of view demands good will, time, and effort on the part of parents. The child is the clear beneficiary. Parents who make the effort to understand their children's point of view are likely to treat children fairly and in an age-appropriate manner.
Some of what we read in classical literature is not relative to our condition, but then many women novelists and poets have turned it upside down and told the stories from the other point of view.
In Slumdog Millionaire when you are immersed in the point of view of children in the slum and the bustle of the city, the handheld camerawork is amazing. A handheld camera is perfect for establishing point-of-view and for instilling the feeling that you are there.
I think you're always subjective because you always have a point of view, but I'm always sort of curious about what is the point of view I don't agree with. There is a truth in that because there always is.
[T]he more clamour we make about 'the women's point of view', the more we rub it into people that the women's point of view is different, and frankly I do not think it is -- at least in my job. The line I always want to take is, that there is the 'point of view' of the reasonably enlightened human brain, and that this is the aspect of the matter which I am best fitted to uphold.
I listened to a lot of stories when I was a kid. My mother told me stories, and I loved them.
How [stories] are told, who tells them, when they’re told, how many stories are told — are really dependent on power.
I loved hard-rock bands, and I loved songwriters who told stories.
My father, if anything, first and last, was a man of words. He loved stories; he didn't live for stories, exactly, but I think he lived through stories. I think, like many writers, he loved stories about things he had experienced as much as, if not more than, he loved the experiences themselves.
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