A Quote by Mara Wilson
I knew I didn't want to put anything down in writing about the first time that I had sex. I knew that I didn't want to do that.
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Naturally, you don't sit down in "white hot inspiration" and write with a burning flame in front of you. But since I knew I could never be happy being anything but a writer, and Mockingbird put itself together for me so accommodatingly, I kept at it because I knew it had to be my first novel, for better or for worse.
By the time I wrote my memoir, 'Men We Reaped,' I had been running from writing it for a long time. When the events in the book were happening, I knew I'd probably write about them one day. I didn't want to. I'd studied fiction, and I was committed to establishing myself as a fiction writer first.
I knew that's where I was going. I knew we were going to Italy. You couldn't make this movie in America at this price. I knew it was going to be big. I knew there was going to be a ship involved and that there was going to be a set as big as the ship. I thought, well, here we go. But I knew that was where he was headed. He had been going this way for some time. All directors, once they have some success, they want to spend a whole heck of a lot of money. (Something else can't hear.)
Growing up on a farm, I saw that if I didn't go to the military or go to school, and I knew my mom and my family wasn't going to be able to send me to school out of their pocket, so it basically came down to athletics. I knew I didn't want to work on a farm. I knew I didn't want to do manual labor the rest of my life.
My first time being inside the Performance Center was for the WWE Tough Enough tryouts, and although I knew hardly anything about sports-entertainment, I knew I wanted to be a part of this place.
Even before I knew I was gay, I knew I didn't want to have a child. I knew I didn't want to have one. I never want to have to release it from me. Listen, I love babies. I love children. And I melt when I'm around them. I also love my freedom and I love that I can sleep at night.
When I first learned I was pregnant with my son, I had only two firm convictions about parenting: I knew it was important, and I knew that I wanted to get it right. I was 29 at the time.
And I knew in my bones that Emily Dickinson wouldn't have written even one poem if she'd had two howling babies, a husband bent on jamming another one into her, a house to run, a garden to tend, three cows to milk, twenty chickens to feed, and four hired hands to cook for. I knew then why they didn't marry. Emily and Jane and Louisa. I knew and it scared me. I also knew what being lonely was and I didn't want to be lonely my whole life. I didn't want to give up on my words. I didn't want to choose one over the other. Mark Twain didn't have to. Charles Dickens didn't.
When I left the Senate in 1979, there were several publishers who had approached me about writing an autobiography, and I knew that politicians write books for many reasons, but at that time, I just thought I wasn't ready and my story wasn't over, and I knew I had a new life ahead of me.
For the first time, she did want more. She did not know what she wanted, knew that it was dangerous and that she should rest content with what she had, but she knew an emptiness deep inside her, which began to ache.
I knew Tim Pastoor. I knew Sherry Ford. I knew many of the individuals who would follow me around. I knew who they were. I knew they had access to my email.
When you have a dream, you don't even want to tell yourself straight out that this is what you want. You try to hide it. I never told myself I wanted to be a tennis player. But being an artist, yes, this is what I wanted since I first sat down to draw or paint. I knew that . . . I had that vision.
You can't plan for people to like your movies. I knew that people were not going to run in droves to the theater for the 'In the Valley of Elah.' I knew they might not want to see it, but I still had to the movie; I felt very strongly about it. Wanting to keep telling a good story is what you want to do, a compelling story.
Anyway, the title The War of the Insect Gods came before we had that ending, before we knew they had become gods. That we knew the evolutionary cycle they went through. Before we even knew anything about that. We had an ending.
I don't play baseball first. I put Christ first in my life. I put my family behind Him and I put baseball down the line. I obviously want to succeed. I want to do well. I want to perform. But at the same time, I'm at peace that no matter what happens on this earth, the more important part is being a Christian, and being in the Kingdom of Heaven when it's all said and done.
Right away, I knew I didn't want to have that look of other guys with long hair and bell-bottom pants, because everybody else had that look. I kind of adopted my boarding-school look, which made me stand out. Then the next thing you know, the first song on my first record is a song called "School Days." It's about going to the boarding school I went to. So then I just started to write about myself. The very first song I ever wrote was about a guy I met in a boatyard that we were working in. So I've always had this thing about sticking to more or less what I knew.
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