A Quote by Marc Almond

Sometimes, with autobiographies, it turns into a bit of score-settling. And looking back, I don't feel the way I did then, and you kind of grow up and let it go behind you. — © Marc Almond
Sometimes, with autobiographies, it turns into a bit of score-settling. And looking back, I don't feel the way I did then, and you kind of grow up and let it go behind you.
When I'm making a new ballet, I usually read through the score a little bit, and then I have to go back and translate or transcribe all the counts for dancers because the way that you hear it is completely different from the way the musicians read and play it.
Sometimes I feel kind of wrong here. I used to be normal, but now... I don't know. I feel like I should be one way, but I'm not." Toby stared at her. "I hear that." He sighed. "There are all these perfect people here. And... it's like, if you're not one of the,. then you're messed up. But I think, inside, the flawless-looking people are just as messed up as we are.
I used to go onstage with no makeup on. And then I realised I was looking a little crazy and I had to grow up a bit and look more presentable as a woman.
There's no reason my films can't work as hard as VR does to hook an audience and never let them go, so I think that that it turns the volume up a little bit on storytelling. The same way when I was doing commercials and then I went and shot 'Go,' and 'Go' has a level of pace that is unlike any of my other movies.
There's kind of a cool feel that happens every now and then. I guess that feel is the thing that makes the score its own score. But, I don't know exactly what that is. So, it's hard for me to answer that question.
I hardly ever go back to Florida. It's really hard to go back. I mean, I hated it so much. I didn't grow up in a great neighborhood, and it puts me back in that feeling of, "I want to get out immediately." That was kind of the push and what still pushes me, that I don't want to end up back there.
Maybe other managers would see their team score one goal and then prefer to go back and counter-attack, then try to score the second goal. A lot of those managers are the best managers at the moment, but for me, it's very important to continue the way I play.
I did a bit of modeling before I took up acting, and I was up for this big campaign - I can't remember which designer - and all these execs were looking at my portfolio. Then one said: 'We'd like to use you, but can you come back next year when you've lost this.' And he tapped the underside of his chin.
Fall is my favorite my time of the year. I love it. I'll try and make it back to Vancouver a bunch. I love going back home for that. Everything turns orange. You start to get out of summer, start making your way into the winter, everyone is wearing jackets. Vancouver lights up in the fall, so I definitely go back there for a bit.
I feel like the luckiest child in the world because I got to grow up in Ireland. In summer is when you really grow up. During the year, I would go back to the States, and all year long really couldn't wait to get back to Ardmore.
You can choose, you can go one of two ways. You can be the person I probably admire more and say 'well I don't care and I'll continue not to bother to brush my hair.' Or you can be a weak-willed person like me and think 'oh I'd better get my act together. And maybe my mother was right and I do need to put my hair back and tidy myself up a bit.' So I did tidy myself up a bit. But I do often resent the amount of time that it takes to pull yourself together to go on TV, I really do. If I sound bitter, then that accurately reflects how I feel about the subject.
Sometimes I feel like the Tom Hanks character in Big. But my life is not a movie. I never have to go back to Coney Island to find the fortune-teller machine so I have to grow up again.
Whenever there's a camera in my face, that's when I feel vulnerable, and then it turns into a little bit of being self-conscious, which I think is the worst kind of vulnerability.
I became more curious about the story behind the story [in the House of Cards]. So what was really going on behind the headline? And it's a little bit sad that that show, it doesn't seem so much like entertainment the way it did back when we started doing it.
'When you were little, what inspired you to feel this way?'" Then he paused and asked, "Looking in the mirror and having it crack in two?" Instead of clobbering him, I laughed-the kind of laugh that escapes into the air before you can catch it. The kind of chuckle that shows a tiny form of acceptance. Trevor obviously didn't expect me to find his remark entertaining. He was primed for a fight. We both cracked up and locked eyes. His gaze lingered a little too long, not in a creepy way, but in a way that says I'm not ready to let this moment go.
I sometimes feel as if ideas for a novel kind of pop up like numbers in a bingo tumbler, and then they're ready to go.
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