A Quote by Marc Almond

I love this idea of shape-shifting and changing when you put on clothes, and turn into somebody else. — © Marc Almond
I love this idea of shape-shifting and changing when you put on clothes, and turn into somebody else.
On the one hand, Porto Monenegro is shape-shifting - it replaced a naval shipyard with a new marina - but it's also mind-shifting, opening up an array of other small business opportunities. And this shape-shifting and mind-shifting, it is exactly what we're trying to do in Montenegro.
Life is always moving, changing, shifting into its next shape. The movement is natural. It is how we evolve. Let the shifts happen. Take responsibility for yourself each step of the way. Trust the new shape and form of your world
I'm not really interested in clothes. Mainly, I like wearing clothes that don't make me stand out - I tend to go for Marks & Spencer and Gap - and I do get put in the changing room at Gap, and clothes are passed to me under the changing room door.
You're creating ' it comes from the heart, the spirit, the soul. You're not manufacturing somebody else's plan, somebody else's blueprint, somebody else's idea that's not yours. So when you're creating, that's the beauty side of art, you know? It comes from within you.
I love beautiful clothes, shoes, and bags like everyone else. However, I do not put a lot of emphasis on who I wear and how much my clothes cost. If it's a label, it's a label. If it's not, it's not.
If I get an idea I put it on tape and somebody else writes it out.
I always panic on the first day of work. You can do all the Stanislavsky-backstory homework, but when that moment arrives and you are in the clothes, hair, and makeup of somebody else, and you're saying the words created by somebody else - I never know how to do it. It's a complete mystery to me.
What do I want from a book? Something protean, something always on-the-move-or-make - shape-shifting, semantically-and-syntactically-shifting.
The best way to garden is to put on a wide-brimmed straw hat and some old clothes. And with a hoe in one hand and a cold drink in the other, tell somebody else where to dig.
I think fashion is a lot of fun. I love clothes. More than fashion or brand labels, I love design. I love the thought that people put into clothes. I love when clothes make cultural statements and I think personal style is really cool. I also freely recognize that fashion should be a hobby.
I love clothes - I love shopping for clothes, I love wearing clothes, I love talking about clothes - but oddly, putting on the dress and walking around in front of people, that's the place where I'm most uncomfortable.
I get up in the morning and I put on makeup and then I say somebody else's words in someone else's clothes, and then I go home and watch TV, have a glass of whisky and go to bed. And I'm overcompensated for that. So it's insane to not use that pedestal to try and at least help someone or something that's in need.
My career always involved being the person in charge of what I was portraying to people. "I never wanted to be an image of something I didn't believe in, an image that somebody else had put together. The idea of that just really scared me, more than the idea of failing.
I love clothes, so when I wear clothes, they're usually somebody's. You know, I'm not wearing Kmart.
you mean machines are like humans?" I shook my head. "No, not like humans. With machines the feeling is, well, more finite. It doesn't go any further. With humans it's different. The feeling is always changing. Like if you love somebody, the love is always shifting or wavering. It's always questioning or inflating or disappearing or denying or hurting. And the thing is, you can't do anything about it, you can't control it. With my Subaru, it's not so complicated.
I love costumes in dance, I think it's very important. The clothes for dancing not only make you feel like somebody else, but it makes you move in a different way.
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