A Quote by Marc Almond

I'm always more interested in trying things that will push me, and I don't care if I fall flat on my face doing it. — © Marc Almond
I'm always more interested in trying things that will push me, and I don't care if I fall flat on my face doing it.
I haven't won a World Cup. There's things that haven't been finished, and I'm not afraid to fall flat on my face trying.
When people come to me and tell me I was terrific in this or that, I do not want to fall flat on my face the next time. But, tough, I have fallen flat before. You just get up and dust yourself off.
I like the challenge of trying different things and wondering whether it's going to work or whether I'm going to fall flat on my face.
When people come and tell me I was terrific in this or that, I do not want to fall flat on my face next time. But, tough, I have fallen flat before. You just get up and dust yourself off.
In essay writing, I'm trying to push the form of expository writing. I'm trying to remember, trying to reckon, trying to find connections with the world, the nation and me, but I'm always trying to push the form, too, without being too obvious that I'm trying to push the form.
Confidence comes from knowing what you're doing. If you are prepared for something, you usually do it. If not, you usually fall flat on your face.
I try my very hardest to remember that I don't have to be anything but Evangeline. That's all that's expected of me. And if I try to be more or less, I will fall flat on my face. So if I just continue to hold my head high and keep myself in check, I'm being who I was born to be.
I always try to push myself, even more now because evidently I'm not doing something right. I'm trying to do the little things that count in practice to try and get my job back.
Working your core always, your foot speed, jumping rope, push-ups and sit-ups - things like that are really important. Those things will pay off more than just doing what a bench press will.
Having a background in doing printmaking and letterpress, I think that I became very interested in images that were flat and graphic. And my painting still today is very flat...American craft is like that too - the painting is very flat. And also the painting that you see on the storefronts, handmade signs, tend to be very flat. That's probably my biggest influence.
Every time I go out to perform, believe me. You never lose that fear of, 'I hope I do it right. I hope I don't fall flat on my face. I hope this will be good for them.'
It takes me so long to take care of my skin at night! My friends will call me, and I'll be like, 'I'm washing my face.' They'll ask me 30 minutes later what I'm doing and I'm like, 'I'm still washing my face!' I use makeup wipes every night - I always like to try different ones, but I really like Aveeno's.
My attitude has always been, if you fall flat on your face, at least you're moving forward. All you have to do is get back up and try again.
There will be no more fighting from me. The only things you will see me doing from here on in is trying to act sensible and behave myself.
Ultimately, I know what I'm doing and why I'm doing it. I'm trying to be a construction worker. I'm trying to make things. If people are not interested in that, fine. I just don't give a damn.
As you get older you don't want to just do the same thing, otherwise there's not much point. I think it's more or less trying to write things that, perhaps, say more by doing less, or you're always trying to refine things, make things a little simpler, a little more essential.
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