A Quote by Marc Almond
We just kind saw the images and knew the cliches, so to have the opportunity to go there and learn something about Russian music and about Russian people and to see things apart from being a tourist.
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Russian people really don't like it when somebody does horrible things in Russia, and then can calmly go travel to another country and spend time there. And this is what needs to be done: the Russian people need to be told this, because in today's world, just doing something is not enough. You've got to tell about it, too. If you've done something and haven't told about it, it's as good as if you hadn't done it at all.
The thing about Russia? Everyone is Russian. They're just Russian. They're Russian.
The Russians right now require a customer coming in and spending about six months or so in Russia and they have to learn some Russian. They have to learn some critical words so they can, in an emergency, at least have minimum communication with the Russian commander of the Soyuz. They also have to learn systems and I think this just evolved that way. They just thought, what is the minimum set of things we think we can train someone to be more or less competent in our systems? And so that's what these guys go through. So, it's not just like buying a ticket and getting on an airliner.
There's an old Russian saying that goes some way or another. I don't know it. I don't speak Russian. But sometimes I think about it and wonder if it's relevant to what I'm going through at the time. Probably not. I mean what do Russian know about hunger, anyway?
I lived next to Russian soldiers. We had Russian army guys in our house when I grew up. We made lemonade for them; they were everywhere. I had a Russian school. I grew up with Russian traditions, I know Russian songs... it infiltrates me a lot. I even speak a little Russian.
The Russian people are suffering from economic fatigue and from disillusionment with the Allies! The world thinks the Russian Revolution is at an end. Do not be mistaken. The Russian Revolution is just beginning.
Vladimir Putin is a Russian czar. He's kind of a mix of Peter the Great and Stalin. He's got both in his veins. And he looks out first and foremost for the national security interests of Russia. He accepts that, in Eastern Europe, that is a Russian backyard, that is a Russian sphere of influence. Ukraine lives most uncomfortably and unhappily in a Russian backyard.
Visas represent one bureaucratic obstacle, so to say and, if removed, might increase the inflow of Russian money into the Czech economy. And not only Russian money, but Russian tourists, Russian entrepreneurs and so on.
I've travelled to some of the places where Russian language and Russian culture were made part of the fabric of life long before Lenin arrived at Finland Station - and where Russian is now being rolled back, post-1991.
The effect of sanctions on the Russian economy are clear to everybody, first to the Russians and to the Russian leadership, and the surroundings of the Russian leadership, the circle that is close to the Russian political leadership.
I've been writing a lot about a new form of Russian imperialism. Actually, Russian Orthodox imperialism. It's very little remarked that the cement, the political, ideological cement of the Russian regime now, communism having collapsed and imploded, is increasingly a confessional one.
People everywhere in the world have Russian connections. There is nothing wrong with having Russian connections as long as you're transparent about it.
The Russian people, at least the ones I know, have pride in being a Russian. And, therefore, they want to be taken seriously in international affairs.
I never had meetings with Russian operatives or Russian intermediaries about the [Donald] Trump campaign.
This is my country. The Russian people are in bit of trouble. Russian court doesn't work. Russian education decline every year. I believe that Russia has a chance to be free. Has a chance. It's difficult, but we must do it.
Most British playwrights of my generation, as well as younger folks, apparently feel somewhat obliged to Russian literature - and not only those writing for theatres. Russian literature is part of the basic background knowledge for any writer. So there is nothing exceptional in the interest I had towards Russian literature and theatre. Frankly, I couldn't image what a culture would be like without sympathy towards Russian literature and Russia, whether we'd be talking about drama or Djagilev.
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