A Quote by Marc-Andre ter Stegen
At the beginning, it is all about fun. I had a lot of fun. But then, when I was 10 years old, more or less, I had a coach who said that I had a strange running style. I was about to leave... I had a decision to take: if I leave or if I stay, but as a goalkeeper.
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In the weeks since I had made the decision to leave my father's house, I had grown up. And I had learned that not every battle can be fought by firing an arrow from a bow. But I would have to face whatever new challenges came my way as bravely as I had faced the Huns. I could not wallow in self-pity, thinking about what might have been. I had to do my duty. It was the only way to stay true to myself.
Ten years ago I also had a very difficult decision to make when we had (Carlo) Cudicini giving fantastic performances in Chelsea’s goal for many years. I had in my hands a 22-year-old goalkeeper I thought could be in Chelsea’s goals for years and years and years and this situation is quite similar.
I had to leave, and my husband was forced to stay on this plantation until after the harvest season was over. And then the man that we had worked for, he'd taken the car, and the most of the few things we had had been stolen.
The Athenians had an oath for someone who was about to become a citizen. They had to swear that 'I shall leave the city not less but more beautiful than I found it.'
He was just trying to tease me - I knew that later - but he said he'd have to leave because it wasn't fair to have anyone in the room who was going to make fun of what he had to say. He had a good sense of humor, really.
We have a real culture of thrift. The goal that I had in bringing a lot of the packaged goods folks into Activision about 10 years ago was to take all the fun out of making video games.
I was a 52-year-old coach. But people don't realize I had 25 years as a head coach. Most coaches my age only had a few years as head coach. I had six years at Miami of Ohio, eight years at Northwestern, 11 at Notre Dame.
But when I realized it was actually going to be this portrait of the artist, birth to death, I had to then discover who Margaret as a young woman would be. I had to find the different voices for her throughout her life. I had a lot of fun discovering that. I had a lot of fun writing the childhood sections. By imagining her childhood, I was able to come up with this voice that matures as she gets older.
Yoko had 10 years and I had 10 years and I would rather have had the 10 years I had than the ones she did. I had the raw talent and the raw human being, before the sycophants arrived.
A strange adventure befell me while I was playing my Sonata in B flat minor before some English friends. I had played the Allegro and the Scherzo more or less correctly. I was about to attack the March when suddenly I saw arising from the body of my piano those cursed creatures which had appeared to me one lugubrious night at the Chartreuse. I had to leave for one instant to pull myself together after which I continued without saying anything.
When you make your first film, it's really hard in some ways. You're just nowhere. But then you have something. If you have a success, then you might be looking to take a fall. If you had a fall, you get a certain kind of euphoria because you're not dead, so you can still do it again. It's about how you go through the processes. Do you enjoy that "doing"? Is it getting less fun or more fun?
Before coming to this decision to leave the game I had thought about it a lot.
I think I live inside the plane! I never have time to unpack; I'm always leaving in two days again. I travel a lot, and at the beginning it was really fun. The first time I went inside a plane, I was 15 years old and I had so much fun. I like to travel all over the world and learn [about] new cultures. Not that many people have the opportunity to do that.
So I got a chance to meet a whole bunch of those old real, real rough but gentle men. They lived hard, but they lived good - in one sense, you know. But you had a lot of fun. Didn't make much money, but you had a lot of fun.
There's no doubt about it: fun people are fun. But I finally learned that there is something more important, in the people you know, than whether they are fun. Thinking about those friends who had given me so much pleasure but who had also caused me so much pain, thinking about that bright, cruel world to which they'd introduced me, I saw that there's a better way to value people. Not as fun or not fun, or stylish or not stylish, but as warm or cold, generous or selfish. People who think about others and people who don't. People who know how to listen, and people who only know how to talk.
I never regret anything. I always said that when I'm old, I want to be sitting there regretting the things that I did and not the things that I didn't do; and now I'm old, and I don't regret anything! I had fun. I had fun, and I'm still having it.
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