A Quote by Marc Benioff
We need to make sure we do more job retraining, and that's why we're working to have a 5-million-apprenticeship dream.
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As the stars make more and more money - one person gets $12 million, $14 million, $15 million, $20 million - everyone else is expected to work for peanuts. And that includes some extraordinary actors who are, today, working for peanuts because the production companies have decided they don't need to pay these people, and they don't.
The best solution would be better strategies for more rapid economic growth and getting people jobs and increases in income. You should simply be clear about matching problems and solutions. If the problem is someone can't find a job because they don't have the skills and they need some retraining, extending emergency unemployment isn't going to solve that. You need the job training programs or the skills bills that come out of the House and are sitting in the Senate.
We're still missing about a dozen vaccines that will make a huge difference. For adults, we've got HIV and TB are still huge; for kids malaria is still killing a half million kids a year out of that 6 million. We probably need some vaccines, but we need a little more data to make sure we're getting the vaccines that will save the most lives.
Then once you've got that dream in mind please dream a million more and not a million quiet dreams, a million dreams that roar!
Humans should always exercise and watch what they eat. So with your pet, make sure they get enough exercise, make sure they're getting fed at the same time every day and getting the nutrition they need. And make sure they get a lot of love and attention you both need. That's why you have them!
If we are to garner sustained U.S. domestic support for future trade agreements, we have to make sure those Americans who have suffered as a consequence of past agreements have an effective social safety net, adjustment assistance, opportunities for retraining and new job creation that enables all Americans to thrive.
Part of my job as a food writer is to describe food. So my work on 'Top Chef,' I feel, is an extension of that. When we give a criticism to the contestant, we want to make sure we tell them why it's not working and why it would work if they did it a different way.
My job is really to... everyone is reading the script, and my job is to make sure we all interpret it in as much the same way as possible. And then I give them the freedom to sort of - to get their performance across and then make suggestions where things are not working and accentuate and push things where they really are working.
We need more foreign reach; no question about that. And we're working on getting that. We need more people abroad; we need some more bureaus. That is really an important job.
We need more foreign reach; no question about that. And we're working on getting that. We need more people abroad; we need some more bureaus... That is really an important job.
I need to keep my ad-libbing skills honed and make sure I'm able to banter with people and treat topics a bit more light-heartedly. But as a stand-up, first and foremost, my job is to make sure that I can write the routine that hopefully people will talk about when something big happens.
Hillary Clinton said we need to bring back vocational education in high school. We need to support community colleges. We need to make sure that people who are not going to finish college have a job waiting for them and the skills to do the job. These are all - have become fairly standard Democratic policy positions.
It's the hardest job in telly as a newbie. You're writing standup every night on your own and presenting live TV. It's like a really tough apprenticeship in front of two million people.
Don't ask for a million dollars. Ask for the stuff that'll get you a million dollars - your health, your brain, your sanity, wisdom. Prepare me for when I do get that million. Make sure I don't go crazy, make sure I help my family.
I'm easy with employees. I make sure they get credit for their work. Naturally, sometimes a guy will screw up, and I'll have to apply some "retraining."
I think 'Cyrus' has a lot of fat in it. It was a $7 million movie. If you're going to make a movie with famous people, you don't necessarily need to spend 7 million dollars. Make it for less than that, and you'll be able to sell it and make a ton more than that, and everybody shares the profits.
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