A Quote by Marc Brown

The writing for me is hard work and I always look forward to drawing the pictures. — © Marc Brown
The writing for me is hard work and I always look forward to drawing the pictures.
I can look at my early work and see what a pained struggle it was to draw what I was drawing. I was trying so hard to get this specific look that was in my head, and always falling short.
For me, the Bild-Dichtung [image-poem] is the ideal form, because the drawing process is constantly being interrupted or contrasted by the writing. And since I always have something to say when I am writing, the effort has a balancing effect. Drawing and writing are wonderful complements.
Writing is just always hard for me. It always feels like drawing blood. It's never particularly easy.
Drawing is more fun to me than writing. I think it's interesting to talk to different cartoonists about how those activities work for them. I'm a very writerly cartoonist. I certainly spend more time on the writing than I do on the drawing, even though the drawing, of course, is very time-consuming.
I've been painting and drawing and taking pictures as long as I've been writing music - and I've actually been drawing longer than I've been writing music.
I love drawing, whether it's considered work or not, but I'm always drawing, and that's the core of the work. Everything comes from drawing.
There's nothing wrong with provocative art work: I even look forward to the day when I can take pictures which will disturb even me.
The writing is hard, and the drawing is fun. It's very satisfying to see a drawing start to come together.
I was aware that the teaching of drawing was being stopped almost 30 years ago. And I always said, 'The teaching of drawing is the teaching of looking.' A lot of people don't look very hard.
Move forward. Keep drawing myself. I will look at the world in the eyes and run forward.
The pictures feel as essential to me as the text. I was always interested in including pictures with writing.
The big problem for comic art is you don't want to overwork it. If a drawing is overworked it isn't funny. It's the spontaneity that keeps a work fresh and funny. If they can see how hard you work, if they can see the beads of sweat, it's no good. I always try to make it look easy.
I used to come from the village with all that dirt and coarse ugliness like a pain within me, and the simpering pictures in the drawing-room seemed to me like a wicked attempt to find delight in what is false, while we don't mind how hard the truth is for the neighbors outside our walls. I think we have no right to come forward and urge wider changes for good, until we have tried to alter the evils which lie under our own hands.
Barring serious accidents, if you are not preoccupied with worry and you work hard, you can look forward to a reasonably lengthy existence.... Its not the hard work that kills, its the worrying that kills.
When I was young, I wanted to be a writer or painter. I was always writing stories, and I excelled at drawing. My teachers encouraged my art work. When I was 9 or 10, I began learning piano and started writing music.
I've always considered myself a graphic artists - a draftsman - as opposed to a typist. I do still work on a drawing table. At times drawing on a computer feels like I'm drawing on an Etch-a-Sketch.
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