A Quote by Marc Chagall

Mozart never composed anything, ever! He copied what was written on his soul. — © Marc Chagall
Mozart never composed anything, ever! He copied what was written on his soul.
Mozart composed his music not for the elite, but for everybody.
I don't care who likes it or buys it. Because if you use that criterion, Mozart would never have written Don Giovanni, Charlie Parker would have never played anything but swing music.
The power of a text when it is read is different from the power it has when it is copied out. Only the copied text thus commands the soul of him who is occupied with it, whereas the mere reader never discovers the new aspects of his inner self that are opened by the text, that road cut through the interior jungle forever closing behind it: because the reader follows the movement of his mind in the free flight of day-dreaming, whereas the copier submits it to command.
Good poetry could not have been otherwise written than it is. The first time you hear it, it sounds rather as if copied out of some invisible tablet in the Eternal mind than as if arbitrarily composed by the poet.
We have no patent on anything we do and anything we do can be copied by anyone else. But you can't copy the heart and the soul and the conscience of the company.
I am not sure, once a poet has found out what has been written already, and how it was written - once, in short, he has learnt his trade - that he should bother with literature at all. Poetry is not like surgery, a technique that can be copied. Every operation the poet performs is unique, and need never be done again.
I don't care who likes it or buys it. Because if you use that criterion, Mozart would have never written Don Giovanni, Charlie Parker never would have played anything but swing music. There comes a point at which you have to stand up and say, this is what I have to do.
Crushed to earth and rising again is an author's gymnastic. Once he fails to struggle to his feet and grab his pen, he will contemplate a fact he should never permit himself to face: that in all probability books have been written, are being written, will be written, better than anything he has done, is doing, or will do.
I think Mozart's operas 'The Marriage of Figaro' and 'Don Giovanni' are the two most perfect ever written. The music is magical.
How wonderful is the human voice! It is indeed the organ of the soul. The intellect of man is enthroned visibly on his forehead and in his eye, and the heart of man is written on his countenance, but the soul, the soul reveals itself in the voice only.
From Ennio [Morricone] I ask for themes that clothe my characters easily. He's never read a script of mine to compose the music, because many times he's composed the music before the script is ever written.
Mozart has written opera, symphony, sacred and chamber music - not to mention his piano and violin concerti.
We all know of course, that we should never ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever fiddle around in any way with electrical equipment. NEVER.
It is asserted by most respectable writers upon our government, that a well-regulated militia, composed of the yeomanry of the country, have ever been considered the bulwark of a free people. Tyrants have never placed any confidence on a militia composed of freemen.
I have never, ever read anything written about me.
Mozart in his music was probably the most reasonable of the world's great composers. It is the happy balance between flight and control, between sensibility and self-discipline, simplicity and sophistication of style that is his particular province... Mozart tapped once again the source from which all music flows, expressing himself with a spontaneity and refinement and breath-taking rightness that has never since been duplicated.
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