Certain subjects are best done with stars. Certain subjects like 'Alai Payuthe' are done with non-stars. In such films, stars are a burden.
Still, on 'Friends', we had some guest-stars who were less than spectacular, not the stunt-casting, but just regular guest-stars, and they weren't particularly great actors, but the material was so good that they scored. It's the writing.
I like to cast actors I admire, one's that are talented. Each one will bring something new to the part. This play has been done thousands of times and now certain characters are too familiar.
There are certain stars who are not actors. I don't want to be that type.
Innovation comes spontaneously. I don't know if I've done anything new. If I have, it's just because I had begun to feel for some time that I couldn't stand certain films, certain modes, certain ways of telling a story, certain tricks of plot development, all of it predictable and useless.
A TV show has to be a certain length and, you know, you have expectations from the viewers. You know, you want to see the characters again, or you want to see certain dynamics between the characters or certain kinds of storylines. And you kind of figure out how to best fit what you want to say into that format.
I got out of the Army - in my world - I came to New York, for instance, when the civil rights movement was just beginning, and that created a certain energy, a certain rumble, a certain impetus for black actors.
There's always certain actors that are interested in certain things and other actors who aren't.
When I was younger, I felt very much like, 'Oh, I have to be a certain way, I have to look a certain way.' You really, really don't. That's the way women are treated differently than men. I mean, I've had actors argue with me about this.
Normally, filmmakers would just write a script and cast people to act as certain characters in the story. But in my way of doing things, I have the actors in my mind already, so I'm trying to borrow something that's unique to them. The characters have a very natural connection to the actors themselves.
I've definitely done things to change my behaviour. There are certain things you can't do when you get to a certain level in what you do. When it gets to a certain time, you're a story to somebody. It is something I have taken on board.
Every actor is great in his own right but certain actors suit certain roles.
Certain comedians work with certain actors; like Adam Sandler worked with Jack Nicholson.
Too many young actors are strutting about and doing films without having developed some of the depth you need to bring off certain kinds of roles. I think that's the problem with the system, where a lot of younger actors who haven't had a chance to develop suddenly become stars.
A beautiful deleveraging balances the three options. In other words, there is a certain amount of austerity, there is a certain amount of debt restructuring, and there is a certain amount of printing of money. When done in the right mix, it isn't dramatic.
I think the Greeks first took astrology to India and took from the Hindus the science of astronomy and carried it back with them from Europe. Because in India you will find old altars made according to a certain geometrical plan, and certain things had to be done when the stars were in certain positions, therefore I think the Greeks gave the Hindus astrology, and the Hindus gave them astronomy.